3 New Releases by Carl Michael von Hausswolff

1. Fantom Auditory Operations by CM von Hausswolff and Michael Esposito
Live at St Andrews Church, Hove/Brighton 2013 (cassette - GERÄUSCHMANUFAKTUR)

2. Dark 80ies by CM von Hausswolff featuring Phauss, Blue For Two, Zbigniew Karkowski, Henryk Lipp, Anna and Maria. (cassette - The Tapeworm)

3. (1) by Leslie Winer and CM von Hausswolff (LP - MonoType Rec.)

 

Long Wave | Resonance104.4fm 3rd December 2013

3rd December - Carl Michael von Hausswolff & Michael Esposito about EVP on Resonance104.4fm at 1030 UK time

Mike Harding interviews Carl Michael von Hausswolff & Esposito about EVP [electronic voice phenomena] in Brighton

Track listing:

1. Carl Michael von Hausswolff & Michael Esposito - Live at St. Andrew's Church, Hove
2. Carl Michael von Hausswolff - Operations Of Spirit Communication [Die Stadt, 2000]

Studio IDs: Leif Elggren

Carl Michael von Hausswolff mentioned PARC and Ash International

 

The North Is Protected lll

 

Live at Berghain, Berlin | 7th November 2013

 

Live at Centrematic | Palma 21st September 2013

Carl Michael von Hausswolff is performing live this Saturday at the Centrematic festival.

You can find out more information here:

primerospasitos.com/anda/Centrematic-2013

 

I am the Others

7 September–3 November 2013
Lunds konsthall
Mårtenstorget 3
SE-22351 Lund, Sweden
T +4646355295

lundskonsthall@lund.se
www.lundskonsthall.se

Lunds konsthall presents one of Sweden’s most outstanding artists, born in Linköping in 1956 and based in Stockholm and Palma de Mallorca. He is also active as a composer, filmmaker and curator. All of this is evident in the exhibition, titled I Am the Others. It is, at the same time, a solo exhibition by the artist Carl Michael von Hausswolff and a group exhibition organised by the curator Carl Michael von Hausswolff.

The exhibition contains work by a number of persons, most of whom are well known, but not as artists. They have caught von Hausswolff’s attention because of their exceptional actions and stances, which for different reasons could be characterised as art. Seen together, their lives and characters also form a self-portrait of von Hausswolff, in the sense that all of them have done something that he can identify or sympathise with.

Those portrayed in the exhibition are Corazón Amurao (The Philippines), Laura Lee Burroughs (US),Clint Eastwood (US), Olga Eriksson (Sweden), James B Irwin (US), Friedrich Jürgenson(Russia/Estonia/Sweden), Salvatore Lucania (Italy/US), Selmer Nilsen (Norway), Hiroo Onoda(Japan/Brazil) and Wu Ping (China), as well as the members of ‘The Military Gang’ (Sweden) and the ‘meta-scientists’ behind the Spiricom instrument (US).

I Am the Others offers an indirect retrospective view of von Hausswolff’s many-faceted activities from the late 1970s until today, for which his interest in society and the human condition was always the sounding board. But the exhibition doesn’t try to capture his entire register as a sound and light artist clearly rooted in performance art. In installations, performances and concerts von Hausswolff has articulated space and time, memories of the past and inexplicable messages from ‘the other side,’ often using various kinds of recording and measuring equipment: tape recorders, cameras, radar, sonars… Music has always been a second home to him. He helped found and run two record companies. Radium 226.05 was created in 1986; Anckarström four years later.

Just as characteristic of von Hausswolff’s practice are his many collaborative projects. Two of these are featured at Lunds konsthall. Under the name PHAUSS he and Erik Pauser carried out a range of projects while they were both living in Gothenburg in the 1980s. Their travelogues Alger–Lagos 1983and Zürich–Zürich 1986 are included in the exhibition, along with Al Qasr, Baharyia Oasis, Egypt 2005, one of the films from von Hausswolff’s ongoing collaboration with Thomas Nordanstad.

Among von Hausswolff’s other collaboration partners are the artists Leif Elggren, Juan-Pedro Fabra Guemberena and Jan Håfström, the EVP (Electronic Voice Phenomena) researcher Michael Esposito, the ex-model and poet Leslie Winer and the musicians John Duncan, Jean-Louis Huhta, Graham Lewis (Wire) and Martin Rössel.

He has participated in many international group exhibitions, such as Manifesta 1 in Rotterdam (1996), documenta X in Kassel, the biennials in Istanbul (1997), Johannesburg (1997), Santa Fe (1999) and Liverpool (2004) and the Venice Biennial (2001, 2003, 2005). He has also had numerous solo exhibitions, for instance at Färgfabriken in Stockholm (2000), ICC in Tokyo (2000), CCA in Kitakyushu (2001) and Portikus in Frankfurt am Main (2004).

In 2003 von Hausswolff curated the Gothenburg Biennial, under the title Against All Evens. In recent years he has organised sound art events such as freq_out, with manifestations in institutions such as Moderna Museet in Stockholm, Henie-Onstad Center in Oslo, Sonambiente in Berlin and Stedelijk Museum in Amsterdam.

Our warm thanks go first of all to Carl Michael von Hausswolff for the enjoyable collaboration and the impressive results. We also thank the lenders—Per Forsberg, Staffan Lamm, Marianne Lindberg von Baumgarten and the gallerist Niklas Belenius—for their kind assistance. Special thanks go to Thomas Nordanstad and Erik Pauser for their participation and help.

Finally we also wish to thank Anna von Hausswolff, who gives a concert in Lund Cathedral in connection with the exhibition opening.

 

Podcast | Mattergy

INTERRUPTIONS #14
Mattergy

13.08.2013 (67' 34'')

Curated by Carl Michael von Hausswolff

You can listen to this podcast here

For most people energy means power, electricity, sunshine and food. It's a basic need for everyone and in a material world it seems unnecessary to go beyond those basics. You’re born, you live and you die. That’s it!

There are also those who believe that energy is absolutely everything and that the enormous amounts of different frequencies and frequency combinations involved hold everything together in one large blob of infinite, intermingling details moving very slowly or very fast according to the circumstances, which is the memory of the past mirrored as the future. Memory is then preserved as energy and this energy might be sleeping, waiting to be activated and then de-activated again. The movement of this enormous blob and its content varies in duration and speed and interferes with the details, colouring them and changing them into evolutionary items we call new. It rotates spirally and touches and bounces off itself, and there are as many centres as there are details. Swedish visionary Emanuel Swedenborg sensed this and has written about these motions and forms in the appendix of his book 'De Cultu Et Amore Dei'. Now, in 2013, we could call it 'Mattergy

 

Carl Michael von Hausswolff in Concert | Germany 10th May 2013

Nurse With Wound
&
Carl Michael von Hausswolff

live at ZKM, Karlsruhe, Germany

 

freq_out 9 | Stedelijk, Amsterdam February 2013

Stedelijk, Amsterdam
Feb 18-21 2013

SONIC ACTS – THE DARK UNIVERSE

We are happy to announce that the festival starts with the ninth instalment of freq_out at the Stedelijk Museum Amsterdam. freq_out 9 is a sound installation comprising 12 individual sound works, each utilising a specific frequency range, made on site, and amplified to act as a single, generative sound-space. Including: BJNilsen, J.G. Thirlwell, Jacob Kirkegaard, Jana Winderen, Maia Urstad, Kent Tankred , Finnbogi Pétursson, PerMagnus Lindborg, Christine Ödlund, Franz Pomassl, Mike Harding, Tommi Grönlund & Petteri Nisunen and Carl Michael von Hausswolff.

The complete programme can be found here

 

"800 000 Seconds in Harar" now available as FLAC Download

This album, released on Touch in 2011, is now available as a FLAC high quality audio download.

Buy CM von Hausswolff "800 000 Seconds in Harar" in the TouchShop

 



Carl Michael von Hausswolff

CM von Hausswolff is exclusively published by Touch Music [MCPS].


You can also hear his contribution to Touch Radio

2. 14.02.05 - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER c/w MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA - 40:48

Side 1 - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER:
[Dedicated to John Cage] 20:42

Side 2 - MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA:
[Dedicated to Arnold Schönberg] 20:06

Originally released on limited edition vinyl February 1997 [Ash International # Ash 3.7]

 

Curriculum Vitae

http://www.touch33.netCarl Michael von Hausswolff

was born in 1956 in Linköping, Sweden. He lives and works in Stockholm.

Since the end of the 1970s, Hausswolff has worked as a composer using the tape recorder as his main instrument and as a conceptual visual artist working with performance art, light- and sound installations and photography.

Continue reading: Curriculum Vitae