Concert; Summerhall, Edinburgh | 17th August 2016
Mark Fell, Okkyung Lee, Carl Michael von Hausswolff + Rian Treanor (DJ Set)
- Venue: The Dissection Room
- Category: Music Nothing Ever Happens Here Performance
- Age Suitability: 16+
- Times: 20.00 (180 mins)
Summerhall Curated, Braw Gigs and NEHH Present…
To mark sound artist and producer Mark Fell’s exhibition in Summerhall’s Machine Shop, Fell curates an evening of sound and music performance – dense, austere and laconic – perfectly suited to the ambience of the Dissection Room. The evening features Fell’s own productions, and solos from composer Carl Michael von Hausswolff and cellist Okkyung Lee and added to the line-up to see us late into the night is a DJ set from Rian Treanor.
Mark Fell is an artist and producer based in South Yorkshire and is half of the duo SND. Okkyung lee is a South Korean cellist/composer/ improviser based in New York, who developed her unique language by pushing and blurring the boundaries of contemporary cello and improvisation. Carl Michael von Hausswolff is an artist and composer, using recording technology as his main instrument.
Rian Treanor, signals from the North of England, he re-imagines the intersection of club culture, experimental art and computer music, presenting an insightful and compelling musical world of interlocking and fractured components. Having left a vivid impression in 2015 with his debut 12″ A Rational Tangle, he’s just delivered a scintillating 2nd EP Pattern Damage on The Death of Rave, landing with a resounding 10/10 and album of the month merit in Mixmag and Boomkat. Pattern Damage is a marked step from last year’s debut, hybridizing idiosyncratic footwork and garage hybrids with noisier, pointillist hooks and innovative arrangements owing as much to disco as oblique futurist computer music.
Redempty, Sweden | 7-8 August 2015
[click on image for larger version]
[click on image for larger version]
3 New Releases by Carl Michael von Hausswolff
1. Fantom Auditory Operations by CM von Hausswolff and Michael Esposito
Live at St Andrews Church, Hove/Brighton 2013 (cassette - GERÄUSCHMANUFAKTUR)
2. Dark 80ies by CM von Hausswolff featuring Phauss, Blue For Two, Zbigniew Karkowski, Henryk Lipp, Anna and Maria. (cassette - The Tapeworm)
3. (1) by Leslie Winer and CM von Hausswolff (LP - MonoType Rec.)
Long Wave | Resonance104.4fm 3rd December 2013
3rd December - Carl Michael von Hausswolff & Michael Esposito about EVP on Resonance104.4fm at 1030 UK time
Mike Harding interviews Carl Michael von Hausswolff & Esposito about EVP [electronic voice phenomena] in Brighton
1. Carl Michael von Hausswolff & Michael Esposito - Live at St. Andrew's Church, Hove
2. Carl Michael von Hausswolff - Operations Of Spirit Communication [Die Stadt, 2000]
Studio IDs: Leif Elggren
The North Is Protected lll
Live at Berghain, Berlin | 7th November 2013
Live at Centrematic | Palma 21st September 2013
Carl Michael von Hausswolff is performing live this Saturday at the Centrematic festival.
You can find out more information here:
I am the Others
7 September–3 November 2013
SE-22351 Lund, Sweden
Lunds konsthall presents one of Sweden’s most outstanding artists, born in Linköping in 1956 and based in Stockholm and Palma de Mallorca. He is also active as a composer, filmmaker and curator. All of this is evident in the exhibition, titled I Am the Others. It is, at the same time, a solo exhibition by the artist Carl Michael von Hausswolff and a group exhibition organised by the curator Carl Michael von Hausswolff.
The exhibition contains work by a number of persons, most of whom are well known, but not as artists. They have caught von Hausswolff’s attention because of their exceptional actions and stances, which for different reasons could be characterised as art. Seen together, their lives and characters also form a self-portrait of von Hausswolff, in the sense that all of them have done something that he can identify or sympathise with.
Those portrayed in the exhibition are Corazón Amurao (The Philippines), Laura Lee Burroughs (US),Clint Eastwood (US), Olga Eriksson (Sweden), James B Irwin (US), Friedrich Jürgenson(Russia/Estonia/Sweden), Salvatore Lucania (Italy/US), Selmer Nilsen (Norway), Hiroo Onoda(Japan/Brazil) and Wu Ping (China), as well as the members of ‘The Military Gang’ (Sweden) and the ‘meta-scientists’ behind the Spiricom instrument (US).
I Am the Others offers an indirect retrospective view of von Hausswolff’s many-faceted activities from the late 1970s until today, for which his interest in society and the human condition was always the sounding board. But the exhibition doesn’t try to capture his entire register as a sound and light artist clearly rooted in performance art. In installations, performances and concerts von Hausswolff has articulated space and time, memories of the past and inexplicable messages from ‘the other side,’ often using various kinds of recording and measuring equipment: tape recorders, cameras, radar, sonars… Music has always been a second home to him. He helped found and run two record companies. Radium 226.05 was created in 1986; Anckarström four years later.
Just as characteristic of von Hausswolff’s practice are his many collaborative projects. Two of these are featured at Lunds konsthall. Under the name PHAUSS he and Erik Pauser carried out a range of projects while they were both living in Gothenburg in the 1980s. Their travelogues Alger–Lagos 1983and Zürich–Zürich 1986 are included in the exhibition, along with Al Qasr, Baharyia Oasis, Egypt 2005, one of the films from von Hausswolff’s ongoing collaboration with Thomas Nordanstad.
Among von Hausswolff’s other collaboration partners are the artists Leif Elggren, Juan-Pedro Fabra Guemberena and Jan Håfström, the EVP (Electronic Voice Phenomena) researcher Michael Esposito, the ex-model and poet Leslie Winer and the musicians John Duncan, Jean-Louis Huhta, Graham Lewis (Wire) and Martin Rössel.
He has participated in many international group exhibitions, such as Manifesta 1 in Rotterdam (1996), documenta X in Kassel, the biennials in Istanbul (1997), Johannesburg (1997), Santa Fe (1999) and Liverpool (2004) and the Venice Biennial (2001, 2003, 2005). He has also had numerous solo exhibitions, for instance at Färgfabriken in Stockholm (2000), ICC in Tokyo (2000), CCA in Kitakyushu (2001) and Portikus in Frankfurt am Main (2004).
In 2003 von Hausswolff curated the Gothenburg Biennial, under the title Against All Evens. In recent years he has organised sound art events such as freq_out, with manifestations in institutions such as Moderna Museet in Stockholm, Henie-Onstad Center in Oslo, Sonambiente in Berlin and Stedelijk Museum in Amsterdam.
Our warm thanks go first of all to Carl Michael von Hausswolff for the enjoyable collaboration and the impressive results. We also thank the lenders—Per Forsberg, Staffan Lamm, Marianne Lindberg von Baumgarten and the gallerist Niklas Belenius—for their kind assistance. Special thanks go to Thomas Nordanstad and Erik Pauser for their participation and help.
Finally we also wish to thank Anna von Hausswolff, who gives a concert in Lund Cathedral in connection with the exhibition opening.
Podcast | Mattergy
13.08.2013 (67' 34'')
Curated by Carl Michael von Hausswolff
For most people energy means power, electricity, sunshine and food. It's a basic need for everyone and in a material world it seems unnecessary to go beyond those basics. You’re born, you live and you die. That’s it!
There are also those who believe that energy is absolutely everything and that the enormous amounts of different frequencies and frequency combinations involved hold everything together in one large blob of infinite, intermingling details moving very slowly or very fast according to the circumstances, which is the memory of the past mirrored as the future. Memory is then preserved as energy and this energy might be sleeping, waiting to be activated and then de-activated again. The movement of this enormous blob and its content varies in duration and speed and interferes with the details, colouring them and changing them into evolutionary items we call new. It rotates spirally and touches and bounces off itself, and there are as many centres as there are details. Swedish visionary Emanuel Swedenborg sensed this and has written about these motions and forms in the appendix of his book 'De Cultu Et Amore Dei'. Now, in 2013, we could call it 'Mattergy