CM von Hausswolff

Hashima | CM von Hausswolff & Thomas Nordanstad

2008-08-19T12:46:41Z

Hashima, Japan 2002 - the film by cmvh and Thomas Nordanstad is being installed at CCA Kitakyushu Project Gallery, Japan between July 28 and September 12 2008.

Audio-Visual

2008-01-05T16:44:04Z

Solo exhibitions 1981-2008
2008 Del Sol St Gallery, Santander (ES) KREV Gallery Niklas Belenius, Stockholm (S) KREV Modules Répondeur (F Jürgenson), Palais de Tokyo, Paris (F) 2007 Gallery 400, Chicago (USA) KREV Toteninsel, Venice (I) KREV Museo de la Ciudad, Santiago de Queretaro (MX) Wanås (S), with J. Håfström & J-P Fabra 2006 Museum for Modern and Contemporary Art, Rijeka, (Croatia) Färgfabriken, Stockholm (S) (with Anita Gordh) Diapason, New York City (USA) 2005 Beaconsfield, London (UK) 2004 OK Spektral, OK Centrum für Gegenwarte Kunst, Linz (A) Chiangmai Contemporary Art Museum, Chiangmai (Thai) Brändström & Stene, Stockholm (S) Portikus, Frankfurt am Main (D) 2003 Galerija Miroslav Kraljevic, Zagreb (Cro) NicolaFornello, Prato (I) with John Duncan 2002 Pierogi Gallery, New York (USA) with L. Elggren Vita boxen, Umeå 2001 CCA, Kitakyushu, (J) Andrehn-Schiptjenko, Stockholm (S) Eskilstuna Konstmuseum, Eskilstuna (S) (with L. Elggren) 2000 Artspace 1%, København (DK) (with Bigert & Bergström) 1999 Skuc Gallery, Ljubljana (SLO) (with P. Hagdahl, L. Elggren) 1998 Andrehn-Schiptjenko, Stockholm (S) Kiasma Museum for Contemporary Art, Helsinki (FIN), (with Tommi Grönlund/Petteri Nisunen) 1996 Bijster Gallery, Amsterdam (NL) with L. Elggren Bunker/Box 23, Kaliningrad (RUS) Unterm Durchschnitt, Hamburg (G) Thomas Nordanstad Gallery, New York (USA) with L. Elggren 1995 Kalmar Konstmuseum (S) with L. Elggren 1994 Alli Poli Gallery, Tessaloniki (G) with L. Elggren Internet: HYPERLINK "http://www.it.kth.se/KREV/" http://www.it.kth.se/KREV/ (2003: http://www.krev.org) Nordanstad Gallery, New York City with L. Elggren 1993 Galleri Mors Mössa, Göteborg (S) with L. Elggren Andrehn-Schiptjenko, Stockholm (S) with L. Elggren 1991 Galleri Mors Mössa, Göteborg (S) with E. Pauser 1990 Konsthall Alka, Linköping (S) with E. Pauser and L. Elggren 1989 Galleri Mors Mössa, Göteborg (S) with E. Pauser 1986 A Jorney Through The World part II (Zürich-Zürich 1986) with E. Pauser 1984 Centrallagret, Stockholm (S) with U. Hillebrand Galleri Mors Mössa, Göteborg (S) with E. Pauser, T. Liljenberg and L. Elggren 1983 Hemlösa Brunn, Göteborg (S) Grand Hotel, Stockholm (S) with T. Liljenberg, E. Pauser and L. Elggren A Jorney Through The World, part I (Alger-Lagos 1983) with E. Pauser 1982 Lukasgalleriet/Gamla Vattentornet, Linköping (S) with T. Liljenberg, E. Pauser and L. Elggren Galleri Mors Mössa, Göteborg (S) with E. Pauser, T. Liljenberg and L. Elggren 1981 Galleri DS, Göteborg (S) with E. Pauser Galleri DS, Göteborg (S) with E. Pauser
Group exhibitions 1993-2007
2008 Teleport Färgfabriken, Färgfabriken Norr, Östersund (S) Ghost In The Machine, Kunstnerernas Hus, Olso (N) Rainbow Audio Transformation, Extra City, Antwerp (B) 2007 Verbindingen/Jonctions 10, Brussels (KREV) Verbindingen/Jonctions 10, Brussels (with Dominique Goblet and Konstantin Raudive) Min Husses Hund, Tegen2, Stocholm Tänd Mörkret, Göteborgs Konstmuseum (S) DADAEast, Färgfabriken (S) Trans(ient) City, Urban Landmarks, Luxembourg (LUX) National Pride, Arti et Amicitiae, Amsterdam (NL) slash/fiction, Gasworks, London (UK) Anachronism, Argos ˆ Centre for Art & Media, Brussels (B) Micronations, Palais de Tokyo, Paris (KREV) 2nd Moscow Biennial, Art Center Winzavod, Moscow (RU) Sound/Bytes, Edith Russ Haus, Oldenburg (D) Prophets of Deceit, Canzani center Gallery, Columbus, Ohio (US) Rock’n’Roll #1, Norrköping Art Museum, Norkköping (SE) 2006 Prophets of Deceit, CCA Wattis Inst. For Contemporary Arts, San Francisco (USA) Around, Galleria Enrico Fornello, Prato (I) Strange Powers, Creativetime, New York City (USA) Tina B, Prague (CZ) Peace Tower, Whitney Biennial, New York City, (USA) Auflösung II (Rausch/en), NGBK, Berlin (D) ARS 06, Kiasma, Helsinki (FIN) 2005 Chronic Epoch, Beaconsfield,London (UK) APAP, Anyang, (KOR) 51st Biennale di Venezia (Theatre) (I) vom Verschwinden, Phoenix Hall, Dortmund (D) Resonances, ZKM; Karlsruhe (D) DMZ_2005, Jeong Han Sook House, Heyri, (KOR) SonarMatica, Sonar, Barcelona (ES) Det ofullbordade mästerverket (J: Håfström), Nationalmuseum (KREV), Stockholm (SE) Tracer, retracer / Tracking the traces (Jürgenson), Leonard & Bina Ellen Gallery, Montreal (CA) The Land Foundation (Starhouse), Chiangmai, (Thai) Utopia Station, Porto Allegre, (Brazil) Water Event, Astrup Fearnley, Oslo (N) with Yoko Ono 2004 Vid Liverts Källa, Forum Box, Helsinki (SF) with Elggren, Tomren, Grönlund, Nisunen Untrue Stories, History Museum, Tblisi (Gerogia) We Could Have Invited Everyone, Reg Vardy Gallery, Sunderland (UK) with L. Elggren Utopia Station, Haus Der Kunst, München (D) Drawn by Reality -- Encapsulated in Life, Wood Street Galleries, Pittsburgh (US) 3rd Liverpool Biennial, Tate Liverpool (UK) Phonorama, (Jürgenson), ZKM Karlsruhe (D) SonarMatica, Sonar, Barcelona (ES) First Internatrional Biennial for Artists Books, Alexandria Library (Egy) .ipeg bild ton maschine, Kunstlerhaus Bethanien, Berlin (D) Making Differences, Historiska Museet, Stockholm (S) 2003 Invisible Wealth, Färgfabriken, Stockholm (S) Modesty, Skuc Gallery, Ljubljana (SL) Undercover, Museet för Samtidskunst, Rosklide (DK) I Moderni, Museo d’Arte Contemporanea, Castello di Rivoli (I) Temporary Spaces, Charlottenborg, Copenhagen (DK) Fluxus Favourites, Moderna Museet, Stockholm (with B af Klintberg, Mats B. Bodil Blå, K Matousch) Somos Todos Pecadores, Museo de Arte Contemporanea, Monterey (MX) Beyond Paradise, Shanghai (CH) Utopia Station, 50th Biennale di Venezia (I) (with L. Elggren) 2002 Radar, Planetarium, Copenhagen (DK) I Promise it’s Political, Museum Ludwig, Cologne (D) Somos Todos Pecadores, Museo Rufino Tamayo, Mexico City (MX) Rouge Phosphene, Crac, Sète (F) Frequenzen (Hz), Schrin Kunstahalle; Frankfurt aM (D) Beyond Paradise, National Gallery, Bangkok (T) Beyond Paradise, Kuala Lumpur (Mal) Iconoclash, ZKM, Karlsruhe (D) The Visitors Konsthallen, Uddevalla (S) 2001 Bo01, Malmö, 2001 Dögnvill, Svolvaer (N) 49th Biennale di Venezia, Nordic Pavillion, Venezia (I) w/Elggren, Grönlund, Nisunen & Tomrén Mutations, Tokyo (JAP) Mutations, Bruxelles (B) Interferenze, Palazzo delle Papesse, Centro Arte Contemporanea, Siena (I) 2000 PICAF, Pusan (KOR) CRAC, Liljevalchs Konsthall, Stockholm (S) EV+A, Limerick (IR) Volume, P.S.1., New York (USA) Mutations, Arc En Reve, Bordeaux (F) Bring the Noise, Centre Genevois de Gravure Contemporaine, Geneva (CH) Audible Light, Museum of Modern Art, Oxford (GB) Organising Freedom, Moderna Museet, Stockholm (S) Organising Freedom, Charlottenborg, Copenhagen (D) Sonic Boom, Hayward Gallery, London (UK) Sound Art – Sound as Media, ICC, Tokyo (JAP) 1999 G A S, Göteborg (S) Art Crash, Aarhus, (D) Cities on the Move VI, Bangkok (T) 2nd International Biennial, Los Angeles (USA) The Young And The Old Ones, Väinö Altonen Museum, Åbo (FIN), (with Jan Håfström) 3rd International Biennial, SITE, Santa Fé (USA) Edstrandska stipendiet, Rooseum, Lund (S) Crossings, Galerie Rudolfinum, Prague (Czeck) Swedish Style/Deluxe, Tokyo (J) 1998 Stretch, Tensta Konsthall. Port, Rågsved, Stockholm (S) The Quickening, Banja Luka, (Bosnia/Hercegovina ) Avatar, Moderna Museet, Stockholm (S) Crossings, Kunsthalle Wien (A) Arkipelag, Stockholm (S) Nuit blanche, Musée d’art moderne de la Ville de Paris (F) Pakkhus, Momentum, Nordic Biennial of Contemporary Art, Moss (NOR) Medialisation, Edsvik, Stockholm (S), 1998 Medialisation, Museum oc Contemporary Art, Tallin (Est) 1997 2nd Johannesburg Biennale (SA) 5th Istanbul Biennial, Istanbul (TR) documenta X, Kassel (D) Smart Show, Färgfabriken/Baltic Sea, Stockholm (S) Nordica, Helsinki (F) The Conspiracy, Uppsala Art Museum (S) Auto Show, Kassel (D) Auto Show, Stockholm (S) Galleri Tusk, Copenhagen The Conspiracy, FOKA, Thessaloniki The Conspiracy, The Soap Factory, Athens Ear As Eye, LACE, Los Angeles Ear As Eye, Anomalous, Seattle 1996 How The Land Lies, Hales Gallery, London (UK) Manifesta 1, Witte de With, Rotterdam (NL) (constriction), Pierogi 2000, New York City (cat. only) (USA) Interpol, Färgfabriken, Stockholm (S) 1995 Headlands Center for the Arts, Califirnia (USA) 1994 In Och Sen Ut, Bohusläns Museum, Uddevalla (S) Expressen (daily newspaper project) 1993 Overground (World Expo), Göteborgs Konsthall (S) 1992 Be Connected, RIX, Linkoping 1984 VHS Kunststation, Kleinsassen (BRD)
Theatre
2007 Physical Interrogation Techniques, Kaiteater, Bruxelles (B) Physical Interrogation Techniques, Tallinn (EST) 2005 Physical Interrogation Techniques, 52nd Biennial Venezia (I) Physical Interrogation Techniques, Bolzano (I)
Filmography
2007 Hashima, Japan 2001/Al Qasr, Bahriyah Oasis, Egypt 2005, DVD (with T. Nordanstad) (Errant Bodies, Copenhagen/Los Angeles) 1991 Phauss Alamut 1986, VHS (with E. Pauser) (Brandklipparen, Göteborg (S))
Publications
142 Reasons For Still Being Alive (CCA, Kitakyushu) 2002 Alamut (Firework Editions, Stockholm) 2004 Red Empty (Chicago 2003), (Whitewalls/Lampo, Chocago) 2005

Curatorial

2008-01-05T16:43:44Z

Curatorial 2008 Rainbow Audio Transformation, Extra City, Antwerp (B) with Nico Dockx 2007 freq_out 6, Dreamlands Burn, Mücsarnok Kunsthalle, Budapest (HU) freq_out 5 /Building Transmissions, The Land/CMU Contemporary Art Museum, Chiangmai (Thai) with Nico Dockx 2006 freq_out 4, Schlossplatz, Sonambiente, Berlin (D) 2005 freq_out 3, Nuit Blanche, Paris (F) with JG Thirlwell Tourist Class, Malmö Art Museum (S) with Lars O Ericsson 2004 freq_out 2.0, Ultima, Henie Onstad Center, Oslo (curator) with Jana Winderen God Made Me Do It, Making Differences, Historiska Museet (S) (curator/artist) 2003 2nd International Biennial for Contemporary Art, Gothenburg, Sweden (curator) freq_out 1.0, Disturbances (Sound As A Space Creator) Charlottenborg, Copenhagen, Denmark (curator) 2002 Rouge Phosphene, Sete, France (F) (co-curator) 1999- Freelance curator at Färgfabriken, Stockholm Friedrich Jürgenson (also shown in parts in Göteborg, Frankfurt, Karlsruhe, Berlin (2 times), New York City, Bruxelles, Montreal) Max Fredrikson Leif Elggren (also shown in Linköping (S) and Göteborg (S)) Rune Lindblad (also shown in Göteborg (S) and Rosklide (DK)) Henrik Andersson/Henrik Rylander Brion Gysin (also shown in parts in Los Angeles) 1998 Lucia-a-go-go, Lydmar Hotel, Stockholm (co-curated with T. Nordanstad/A. Fioretos) 1998 Origin – record label 1997 CRAC (Creative Room for Art and Computing) – digital art studio established in Stockholm (S) 1996 CD compiler for SIKSI Art Review (#4 1996) Origin, co-founder - recordlabel Loveall, co-,curator, Färgfabriken, (S) 1995 Audiovision 1995, curator, 6-CD box 1994 New Reality Mix, co-curator, Stockholm (S) The Stockholm Electronic Music Festival, program comittee 1993 Overground, Konsthallen, Göteborg (S) 1991- Elgaland-Vargaland, conceptual art project collaboration with Leif Elggren 1991- Anckartsröm - record label 1983-90 Radium 226.05 – record label, magazine and exhibitions 1980-82 DS Art Gallery, Gothenburg 1980-1995 Phauss – art and music project collaboration with Erik Pauser.

Works

2007-12-06T15:45:47Z

Here you can read about his audio-visual, audio and curatorial work... Audio-Visual Audio Curatorial

Current Activities & New Projects

2007-12-06T12:12:51Z

H2O, St. Petersburg | September 2008

cmvh is participating in the group show H2O in St Petersburg opening September 1 2008. His sound piece "Life In Prison By A Beautiful River Makes The Sky Dark" will be installed at the Peter and Paul Fortress curated by Anna Bitkina.
New CD Release

The brand new cmvh double CD called "Perhaps I Arrive - Music for Atatürk Airport, Istanbul" is released by aufabwegen in Cologne, Germany.

CD1 contains one 60 min piece rejected by the airport authorities and CD2 contains four tracks that was installed and played in the transit hall during the Istanbul Biennial 1997. Get it from: http://geraeuschwelten.de/catalog/ Published by Touch Music, London.
Teleport Färgfabriken at Färgfabriken Norr, Östersund, Sweden
cmvh is co-curating, with Färgfabriken director Jan Åman, the premier exhibition in a new space in Östersund, Sweden: Färgfabriken Norr. Show opens April 3 and celebrated guests include Carsten Höller, J.G. Thirlwell, Miriam Bäckström, Andreas Angelidakis, Carsten Nicolai, Dave Falconer/Russell Haswell, Manu Luksch, Tobias Rehberger, Leif Elggren, Jan Håfström, Anita Gordh, Armin Linke, Finnbogi Petursson, Jana Winderen, Jacob Kirkegaard, Miltos Manetas, Mathias Johansson, Mai Ueda, Michael Esposito, Nanna Hellberg, Nico Dockx, Nathalie Djurberg, Peter Geschwind and others - art works also included by: Selmer Nilsen, Rirkrit Tiravanija, Maurizio Cattelan, Erik Håfström, John Duncan, Cory Archangel, Ernst Billgren, Heavy Industries, Liz Cohen, Ola Pehrson, Emanuel Swedenborg, Marcel Duchamp, William S Burroughs and the Military Gang.
Elgaland-Vargaland Exhibition CMvH opens, with Leif Elggren, jan Håfström and Marja-Leena Silanpää, an Elgaland-Vargaland exhibition at Galleri Niklas Belenius, Stockholm to celebrate the annexation Isola di San Michele, Venice. Show opens February 16 2008. Tänd Mörkret CMvH will show the Phauss piece Alger-Lagos 1983, a DVD with sound and b/w stills, in the show Tänd Mörkret at Millesgården, Stockholm - show opens January 20. Visionaire CMvH is participating with a sound piece in the new issue of the New York based magazine Visionaire (#53 sound).

Curriculum Vitae

2007-11-06T15:48:33Z

Carl Michael von Hausswolff was born in 1956 in Linköping, Sweden. He lives and works in Stockholm. Since the end of the 1970s, Hausswolff has worked as a composer using the tape recorder as his main instrument and as a conceptual visual artist working with performance art, light- and sound installations and photography. ]]> Carl Michael von Hausswolff was born in 1956 in Linköping, Sweden. He lives and works in Stockholm. Since the end of the 1970s, Hausswolff has worked as a composer using the tape recorder as his main instrument and as a conceptual visual artist working with performance art, light- and sound installations and photography. His audio compositions from 1979 to 1992, constructed almost exclusively from basic material taken from earlier audiovisual installations and performance works, consists essentially of complex macromal drones with a surface of aesthetic elegance and beauty. In later works, Hausswolff has retained the aesthetic elegance and the drone and added a purely isolationistic sonic condition to composing. Between 1996 and 2008 Hausswolff has boiled away even more ornamental meat from the bones: his works are pure, intuitive studies of electricity, frequency functions and tonal autism within the framework of a conceptual stringent cryption. Lately he has also developed a more conceptual form of audio art overlooking subjects such as architecture and urbanism, rats and maggots. Collaborators include Graham Lewis, Jean-Louis Huhta, Pan sonic, Russell Haswell, Zbigniew Karkowski, Erik Pauser, The Hafler Trio and John Duncan. His music and sound art can be found on record labels such as Ash International, Laton, Oral, RasterNoton, Firework Edition, SubRosa and Die Stadt. His music is published by Touch Music, London. Hausswolff's music has been performed throughout Europe and in North America and Asia in festivals such as Sonar, Electrograph and I.D.E.A.L. In these concerts a very physical, almost brutal, side of Hausswolff’s aesthetics has blended with a droned and polyfrequential beauty. The audience very often fall into a form of trance, dosing away in their seats. Other times people experiencing the events has thanked him “for the massage” or has expressed a “feeling that the flesh came off the bones” due to the vibrations of the low frequencies used. Hausswolff's audiovisual works have also found outlets in pictorial art. His "Red" series using red lights in various architectural and geographical spaces has shown a rather critical side of his works. In Santa Fé an abandoned cemetery was lit up in the night time by 20 000 watts (Red Night, 1999); in Liverpool the river Mersey was treated (Red Mersey, 2004); in Luxembourg a huge building used for repairing trains was treated (Red Sky Saw, 2007); in Kaliningrad various cages and houses were lit up (Red Zoo, 2006)and in Chiangmai, Zagreb, Rijeka, Chicago abandoned houses around the cities was lighted up and photographed (Red Empty, 2003-2004). His interest in architecture and topography has also resulted in the films “Hashima, Japan 2002” and “Al Qasr, Bahriyah Oasis, Egypt, 2005” made in collaboration with Thomas Nordanstad. In 1997 he launched a series of works under the title "Operations of Spirit Communication". This work, inspired by Electronic Voice Phenomena (EVP) techniques, was combining and merging sound and vision using analogue and digital technologies such as oscilloscopes, radars and sonars. These ready-made machines were showing the possibilities of ghosts and other kinds of life forms living inside a certain space or inside the electricity grids. The cities of Paris, Linz, Bangkok, Shanghai, Banja Luka, Berlin, Kuala Lumpur, New York City, Tokyo, Frankfurt am Main, Stockholm and Copenhagen has been under this magnifying ghost glass. More recently the exhibition “The Complete Operations of Spirit Communication” was shown at OK Centrum in Linz, Austria. His interest in audio and radio technology also came in light at the 49th Biennale di Venezia in 2001. In a collaborative work with Tommi Grönlund, Petteri Nisunen, Leif Elggren and Anders Tomrén he had constructed a radio receiver that could play all radio transmissions from the Venice area at the same time. The entire Nordic Pavilion was filled with this mix of sounds producing a beautiful and at the same time profound religious audio graphic environment. Other radio tech works include the usage of scanners and EVP frequencies. Hausswolf has also created a series of social platforms, places where people can meet and consume. His “Thinner- and Low Frequency Bar” was used at the Momentum biennial in Moss, Norway, Prato, Italy and London and his “Glue- (Tobacco-) and High Frequency Lounge” was used in Geneva and in Prato. These works show Hausswolff’s critical view on the society’s hypocritical treatment of drugs and addiction. The audience could sniff the highly toxic substances thinner and contact glue while smoking cigarettes and getting penetrated by the either low or high sine wave tones. In 1993 he and Leif Elggren developed the ever-lasting conceptual piece 'The Kingdoms of Elgaland-Vargaland'. Here a new country was established in the world. Its territories was all border areas between every country, the No Man Land, mental territories such as the hypnagogue dream state and digital areas on the Internet. Paraphernalia such as a constitution including flags, coat of arms, and national hymn was produced and letters was sent to every government in the world asking for recognition. In 1995 an application for membership in the United Nations was sent in and in 2005 the New United Nations was proclaimed. Elgaland-Vargaland now has over 800 citizens and is frequently manifesting itself through the channels of conceptual art. Embassies has been established in Stockholm, Mexico City, Oujda, London, New York, San Francisco, Osaka, Barcelona, Helsinki and many other places. In 1995 the country annexed Schlaraffenland; at the 50th Biennale di Venezia in 2003 the state annexed Thomas More’s Utopia at the Utopia Station project and in 2007 the island of San Michele outside of Venice was annexed. Hausswolff is also a freelance curator at Färgfabriken Centre for Contemporary Art and Architecture in Stockholm. From 1999 until now he has curated retrospective exhibitions by the works of the EVP pioneer Friedrich Jürgenson, his long time colleague Leif Elggren, and Swedish electronic music pioneer Rune Lindblad. He also curated a special exhibition of works by his mentor Brion Gysin as well as works by Max Fredriksson, Henrik Rylander and Henrik Andersson. The works of Friedrich Jurgenson has also been showed in Berlin, New York City, Brussels, Goteborg, Frankfurt am Main and Karlsruhe and parallel to these shows adaptations of other potential artists such as Olga Eriksson, Martin Ekenberg, Selmer Nilsen and Jim Irwin have emerged. IN 2003-07 he curated the sound art project 'freq_out' in Copenhagen, Oslo, Paris, Berlin, Chiang Mai and Budapest. This project includes the individual works from 12 sound artists shown in a collective way. The frequency range from 15 – 12 000 Hz was divided up into 12 sections and handed out to the artists. These exhibitions has showed a new way to deal and treat sound works as an exhibitional form, a form that mostly has been chaotic and non functional in many recent group shows. Artists included were Jacob Kirkegaard, J.G. Thirlwell, Jana Winderen, Finnbogi Petursson, Pomassl, Mike Harding, Maia Urstad, BJ Nilsen, Tommi Gronlund&Petteri Nisunen, PerMagnus Lindborg, Kent Tankred and Brandon LaBelle. In 2003 Hausswolff curated, Against All Evens, the 2nd International Biennial for Contemporary Art in Göteborg, Sweden. Here he mixed sound artists like Ryoji Ikeda, Else Marie Pade and John Duncan with dictator painters from Libya and Cambodia; contemporary artists like Phill Niblock, Simone Kaern-Aaberg and Surasi Kusolwong with ready-made artists like Jürgenson and the inventor of the mail bomb Martin Ekenberg; painters like Jan Håfström with painters like Kim Gordon and Russell Haswell. In spring 2005 Hausswolff completed his Starhouse project for The Land Foundation, organised by Kamin Lertchaiprasert and Rirkrit Tiravanija in Chiangmai, Thailand. A pdf of this text may be downloaded here

Audio

2007-10-06T14:02:22Z

Discography (full length DVD, CD, LP, 10" and 7") 2008 Eating a piranha wouldn't be so bad the way things are these days, 7" (Autofact, Portland) 2007 National Anthem #3 and #4 (Klezmer/Kabukabu) 7" (Ash International, London) National Anthem #2 (Mariachi version) 7" (Ash International, London) Maggots/Maskar, CD (Laton, Wien) freq_out 3/freq_out 4, CD (cat. Dreamlands Burn (Mücsarnok, Budapest) 2006 Topophonic Models, CD (feld, Frankfurt am Main) The Wonderful World of Male Intuition, CD (ORAL, Montreal) Leech, CD (RasterNoton, Berlin/Chemniz) 2005 There Are No Crows Flying Around The Hancock Building, CD (Lampo, Chicago) freq_out 2, CD (Ash International, London) 2004 Rats/Råttor, CD, (Laton, Wien) Three Overpopulated Cities Built By Short-sighted Planners, An Unbalanced and Quite Dangerous Airport and an Abandoned Church, CD (Sub Rosa, Brussels) 2003 freq_out, CD (Ash International, London) Stun Shelter (with J. Duncan), CD/Catalogue (NicolaFornello/Allquestions, Prato/Scrutto) Pan Sonic Plays Kurenniemi, DVD (Kiasma, Helsinki) 2002 A Lecture on Disturbances in Architecture, CD (Firework Edition Records, Stockholm) 2001 Ström, CD (RasterNoton, Berlin/Chemnitz) Live at Generator 1989, Phauss, CD (Generator, New York) 2000 Operations Of Spirit Communication, LP (Die Stadt, Bremen) Opening Sweep, OCSID, CD (Ash International RIP, London) 1999 Basic, CD (Table of the Elements, Atlanta) In Between, OCSID, CD (Origin, Stockholm) 1997 L'Esprit, 10" (Disques De Carotte, Bordeaux, France) To Make Things Happen In The Bunker Via The Micro Way, CD (Fire Inc., Reykjavik) As Quiet As A Campfire Or Analogue Motoric And Electro-Magnetic Silence Disturbed By Intuitive Slumber C/W Mingling Or Dodekaphonic Drones Interfered By Known And Unknown Digital Phenomena, LP (Ash International, London) 1996 Elgaland-Vargaland National Anthem #1, med L. Elggren, CD (Ash International, London) CM von Hausswolff Plays John Cage, 7" (Povertech, Sacramento) 1995 Rays of Beauty, CD (SubRosa, Brussels) 1994 GodTphauss, Phauss, CD (Silent Records, San Francisco) 1993 Resurrection, The Hafler Trio & The Sons of God , CD (Touch, London) 1992 PHAUSS/Karkowski/Bilting, CD (Silent Records, San Fransisco) 1991 Nya Sverige - Nothing But The Truth, Phauss, CD (Anckarström, Göteborg) 1987 Audiodrome, Phauss, LP (Radium 226.05 Records, Göteborg) 1986 Life & Death of Pboc, LP, (Radium 226.05 Records, Göteborg) 1984 The Gallery/Tower of Water, Phauss & Firework, 7" (Radium 226.05 Records, Göteborg) 1983 Conductor, LP, (Radium 226.05 Records, Göteborg) 1980 Bark & Is, LP (Sista Bussen, Göteborg) Compilations 2007 Visionaire 53 Sound, LP/CD (Visionaire, New York City) KKH1 Lock Grooves, 7" (Royal Academy of Fine Arts, Stockholm) 2006 2LP Städel (with Vainio) (Städelschule, Frankfurt am Main) 2005 Hexenschüss, LP (with JG Thirlwell) (Städelshule, Frankfurt am Main) Ghosttransmissions, CD (Cubitt-co-Curious, Antwerp) Untitled songs, CD (sirr, Lisboa) Yokomono 2, LP (Staalplaat, Berlin/Amsterdam) 2004 Record #1, LP (Städelshule, Frankfurt am Main) An anthology of noise and electronic music #3, CD (SubRosa, Brussells) .ipeg bild ton maschine, comp CD (Berlin) 2003 Research Center For The Definition Of Happiness, CDR (Absurd, Athens) Hausswolff/Duncan/Elggren, 7" (Die Stadt, Bremen) 60 Sound Artists Protest The War, compCD (atak, Tokyo) 2002 Avanto compCD (Avanto, Helsinki) Floating Foundation vol 2, compCD (SubRosa, Bruxelles) Prototypes, comp. CD (Laton, Vienna) Konstantin Raudive the Voices from the Dead (SubRosa, Bruxelles) The Void compCD (CCA, Kitakyushu) Frequensen (Hz), compCD (Schirn Kunstalle, Frankfurt) Because Tomorrow Comes #4, comp CD (BTC, Cologne) 2001 The North Is Protected, comp Catalogue/10" (Biennale di Venezia, Nordic Pavillion, Helsinki/Venezia) Paletten sound issue, with Leif Elggren, magazine/CD (Paletten, Göteborg) Sound Art, comp CD (Phono Suecia, Stockholm) RL, comp LP/CD (Färgfabriken/Firework Ed., Stockholm) Volume, compCD (PS1, New York) 2000 Comp 2x7" (Die Stadt, Bremen) Wire live, KREV, comp. CD (Wire, London) Mutations, comp. CD (Arc en Reve, Bordeaux) Sound Art – Sound As Media, comp. Catalogue/CD (ICC, Tokyo) Audible Light, comp. CD (MoMA , Oxford) 1999 Meme, comp. CD (meme, Tokyo) 1% Lydkunst, OCSID, comp. magazine/CD (1%, Copenhagen) 1998 Make It Funky, KREV, comp. CD/book (Cologne) Crossings, comp. Catalogue/CD (Cantz) 1997 Links Outta Here, comp. CD (Generator, New York City) o, comp.7" (Die Stadt, Bremen, Tyskland) Killing Me Softly With Noise, comp. CD (Noise, Taiwan) 1996 The Nordic Sound Review , The Hafler Trio, comp. CD (SIKSI, Helsinki) A Fault In The Nothing, comp. CD (Ash International, London) From Here To Tranquility, Phauss & PGR, comp. CD (Silent Records, San Francisco) 1995 Mesmervariations, comp. CD (Ash International, London) 1994 Anckarström Live, Phauss, comp. CD (Staalplaat, Amsterdam) 1993 Textures, Phauss, comp. CD (Limur, Göteborg) 50 Years of Sunshine, Phauss, comp. CD (Silent Records, San Francisco) Arcana Caelestia, Phauss, comp. CD (Multimood Records, Göteborg) 1991 Apo Mikhanis Music, Phauss, comp. LP (Ano Kato, Thessaloniki) Testament, Phauss, comp. 7" box (RRRecords, Lowell) 1989 This Infernal Love Of Life, Phauss, comp. LP (TOPYScan, Stockholm) 1987 Dry Lungs III, with Z Karkowski, comp. LP (Placebo Records, Phoenix, USA) The Call of Madonna Luisa Ciccione, Phauss, comp. k7 (AIIP Wiesbaden, Västtyskland) 1984 Gothenburg 84, comp. LP, (Radium 226.05, Göteborg) Film soundtracks The Last Supper, dir. Lars Bergström/Mats Bigert, 60 min (with OSCID), 2005