CM von Hausswolff

Activities Autumn 2010

2010-08-27T10:14:28Z

exhibition: KREV consulate, Museo de la Ciudad, Queretaro, Mexico (with Leif Elggren) 5/11 - 30/11 2010 exhibition and concert: Darker Then Night, Casino Metropolitano, Mexico City, Mexico 28/10 - 12/12 2010 concert: Lausanne Underground Film and Music Festival, Lausanne, Switzerland 20/10 exhibition: ARTifariti, Tifariti, West Sahara 16/10 - 30/10 2010 theatre music: Jag är en annan (I am another) by Michael Azar premiere at Angered Theatre, Göreborg, Sweden 15/10 2010 concert: Chromatologies, Rotherham, United Kingdom 24/9 2010 concert: Dis-patch Festival, Serbia 9/10 2010 exhibition: The Night Pleases Us, October Salon, Belgrade, Serbia (with Thomas Nordanstad) 6/10 - 9/11 2010 exhibition: Ekaterinburg Industrial Biennial for Contemporary Art, Russia 9/9 - 10/10 2010 exhibition: Svensk Konceptkonst (Swedish Conceptual Art), Kalmar Art Museum, Kalmar, Sweden 4/9 - 14/11 2010

Carl Michael von Hausswolff

2010-08-26T10:11:10Z

CM von Hausswolff is exclusively published by Touch Music [MCPS].
You can also hear his contribution to Touch Radio 2. 14.02.05 - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER c/w MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA - 40:48 Side 1 - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER: [Dedicated to John Cage] 20:42 Side 2 - MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA: [Dedicated to Arnold Schönberg] 20:06 Originally released on limited edition vinyl February 1997 [Ash International # Ash 3.7]

RED

2010-04-21T10:32:47Z

6 May - 30 May 2010 Opening 6 May 5-8pm Galleri Niklas Belenius is pleased to present Carl Michael von Hausswolff´s second solo exhibition at the gallery. For the past several years Hausswolff has continued to explore the possibility of exposing different architectural and topographical settings with red light. The exhibition brings together five photographs from his Red series. By photographing different settings using high-voltage red light, the image itself, or rather the subject of it, emanates from the means by which it is conveyed. The subject in question becomes transformed by its color bath into a real-world monochrome. The image thus becomes a painting in its own right through the monochromatic use of color where the transformative power of light and dark creates a painterly texture and nuance. The monochromatic surface also becomes an examination of changing values across the surface suggesting that repetition can in fact never produce the same meaning. Even though the photographs offer no reference other than the viewer´s own, Hausswolff´s work is always rooted in a special relationship with the place itself. Red Dawn (2009) is portraying the ruins of German military leader Hermann Goering´s hunting lodge in the Kaliningrad area, Russia, (formerly Königsberg, Eastern Prussia). Through the forest the ruins of the former lodge is barely discernable, as the structure has slowly been erased by nature. By rewriting the history of a particular site brought to life with the color red, the image itself questions history´s disturbing sense of permanency. The overall tone is that of positive reflection on the ephemeral nature of existence and absence but one that never exceeds into nostalgia. In one of the other recent photographs in the series, Red Cochineal (2007) several Nopal cacti are illuminated in the Mexican countryside. Here the almost invisible female shield louse, the cochineal, works as the extended narrative of the picture. The insect is used to produce Crimson dye; a strong, bright, deep red color that was particularly sought after in Central America in the 15th century by the Spaniards for coloring fabrics. The parasite became an important export product during the colonial period and contributed to the enslavement of the indigenous population by the colonialists. The picture is the resulting encounter between something that is transient in its contingency, yet charged with its own inherent history. In addition, the newly published book RED (1999-2010) is released in conjunction with the exhibition and includes all red works in the photographic and installation series by Hausswolff, as well as a text written by Daniel Birnbaum. Red Dawn (Krajna Lesnje 2009) # 4, c-print, 2009 GALLERI NIKLAS BELENIUS ULRIKAGATAN 13 115 23 STOCKHOLM +46 (0) 8 662 82 07 +46 (0) 708 55 68 56 Open: Wed-Fri 12-6pm, Sat 12-4pm www.niklasbelenius.com niklas@niklasbelenius.com

BBC Radio 3: Cut & Splice performance

2009-07-02T09:32:35Z

On Saturday 4th July, BBC Radio 3's "Hear and Now" features music from 2009's Cut & Splice: Living Rooms festival, from Wilton's Music Hall in London. This festival of electronic music and sound art, co-promoted by Hear and Now and the Sound and Music organisation, features work inspired by and utilising the domestic environment. The broadcast includes a recording of Carl Michael von Hausswolff and John Duncan in duet, creating an intense electroacoustic climax to the festival. Further information at bbc.co.uk

birdcage

2009-03-13T09:50:08Z

www.birdcagespace.com

Touch Presents, as part of the Ether Festival 2009

2009-03-03T17:44:05Z

Queen Elizabeth Hall, London, 21st April 2009 - Touch presents, as part of the Ether Festival 2009: Fennesz [AT] Rosy Parlane [NZ] CM von Hausswolff [SE/KREV] encore You can now buy tickets for Touch Presents, as part of the Ether Festival 2009. More about Ether 2009 Book tickets online

Current Activities | February 2009

2009-02-18T11:27:12Z

RED NIGHT II, Light installation event, February 26 at 9-11pm (21:00-23:00), 2009 We are pleased to announce multimedia artist Carl Michael von Hausswolff's first one man show at Gallery Niklas Belenius. Since the end of the 70s, Hausswolff has worked as a conceptual visual artist working with performance art, light- and sound installations and photography and as a composer and musician.His work has been show in the biennials in Venice (2001, 2003, 2005), in Istanbul (1997), in Johannesburg (1997), documenta X and his work was critics favourites in ArtForum (2003, 2004, 2005). His music has been released by labels such as Touch, Laton, RasterNoton, Sub Rosa, Firework, Oral and feld. As a musician his concert in London in 2006 was selected "best of the year" by The Guardian. His interest in architecture, topography and urban situations has also resulted in the films "Hashima, Japan 2002" and "Al Qasr, Bahriyah Oasis, Egypt, 2005" made in collaboration with film maker Thomas Nordanstad. Their new film will be screened February 28 and is called "Electra, Texas 2008". Hausswolff's visual works deals mainly with photography, video and combinations of audio/visual matterst. His "Red" series using red lights in various architectural misfittings has shown a rather critical side of his works. In Santa Fé (SITE Santa Fé biennial 1999) an abandoned cemetery was lit up in the nighttime by 20 000 watts (Red Night, 1999); in Liverpool (Liverpool biennial) the river Mersey was treated (Red Mersey, 2004) and in Chiangmai, Zagreb, Rijeka, Kaliningrad and Chicago abandoned houses around the cities was lighted up and photographed (Red Empty, 2003-2006). His most recent red works include Red Sea Saw for the Luxembourg Cultural Capital 2007 and Red Cochineal in Mexico showed at Museo de la Ciudad in Santiago de Queretaro 2007. The exhibition is separated in three parts. First it's a light installation event at the Jewish cemetery on February 26 at 9-11pm. On February 27 a group show opened in the gallery. Hausswolff is in the show as well as the curator for it - it is also a solo show! The day on the 28 it's a screening of Carl Michael von Hausswolff´s and Thomas Nordanstad film Electra, Texas in cinema Zita.
Adoptations: TU EST L'AUTRE, Groupshow at Gallery Niklas Belenius, February 27 at 4-9pm (16:00-21:00) In this show there are seven works by seven artists, including one anonymous. Six of the artists have no idea of that they're a part of this - they don't even know that I consider their works to be works of fine art. Five of the artists have passed away. The title "Tu est l'autre" stems from the famous line "Je est un autre", stated in a letter written by Arthur Rimbaud in 1871. As I understand it, this quotation deals with Rimbaud's view on his work - that his writings seems to come from somebody else ... something else ... and that he is just some tool used by this unknown parasitic existence. I have taken his line and extended it to address this "someone else" - someone like you, perhaps - or someone similar to these fantastic people that I have forced into the world of contemporary art!
Electra/Texas (with Thomas Nordanstad), Screening at Zita, February 28 at 12am (12:00), 2009 With our film, Electra, Texas 2008, we are completing a cycle of three individual films that we now recognize are more realated than we had first intended. Shot in the north of Texas close to the Red River, in a long, panoramic shots and edited with a slow, bluesy soundtrack, it follows "Hashima, Japan, 2002" and "Al Qasr, Bahriyah Oasis, Egypt 2005" both in form and structure. Electra is a small, sleepy town with an almost deserted town center, yet around it the pumpjacks are bringing up the last remaing drops of black gold in the area. The procedure is the same as in the heydays, before the depression, when more than 5000 wells and pumpjacks going up and down could be seen in the fields. We believe that there is a beauty in just watching life take place. We try to let the time in the scenes we shoot act as a metaphor for time passing also in the viewers contemplation, and we hope to make these kind of "documentary films" as tributes to the people who were and still are creating these societies.

Art's Birthday 2009

2009-01-07T10:12:36Z

electronic performance & silent disco radio action with Brandon LaBelle & BJ Nilsen Carl Michael von Hausswolff Friday, January 16, 20:00 at Maria am Ostbahnhof Stralauer Platz 34/35 (an der Schillingbrücke) Berlin and broadcast live on Deutschland Radio http://www.dradio.de/dkultur/sendungen/artsbirthday/891892/ http://www.clubmaria.de/ 6 euro entrance Brandon LaBelle & BJ Nilsen "the music will not be broadcast" Staged as a silent disco, the performance turns the actions of the dance event into a situational installation. Presented through wireless headphones, an electronic work is performed mixing experimental beats and found sounds, while live microphones amplify the movements of bodies back into the room through a set of speakers. The dance floor is incorporated into the composition, immersing building and body into an extended rhythmical event. & Carl Michael von Hausswolff "Spiricom Transmissions" The EVP (Electronic Voice Phenomena) technique Spiricom was developed by Metascience Foundation in North Carolina in the early 70s. Thirteen sine wave tones between the frequencies 131 and 701 Hz are developed, combined and performed. Running these sine waves from a radio transmitter to a radio receiver enables people from "the other side" to communicate with the listeners. CMVH has, with good help by technician Jari Lehtinen, developed an instrument that can play thirteen sine wave tones at the same time and by pushing a button the machine randomly selects the tones. * Brandon LaBelle is an artist and writer working with sound and the specifics of location. His work has been featured internationally, including exhibitions and festivals Sampling Rage, Podewil Berlin, Sound as Media, ICC Tokyo, Bitstreams, Whitney Museum New York, and Radio Revolten, Halle Germany. His work on radio memory was shown at Casa Vecina, Mexico City this year, and he's currently preparing a project for the MuseumsQuartier in Vienna on the theme of voice and eating. BJ Nilsen is a sound and recording artist focusing primarily on the sound of nature and its effect on humans, and the perception of time and space as experienced through sound. In addition, he has worked for documentary film, television, and as a sound engineer. Nilsen regularly performs live around the world and in collaboration with Chris Watson, Fennesz, Stilluppsteypa, Hildur Gudnadottir, among others. Carl Michael von Hausswolff lives and works in Stockholm, Sweden. As an artist, composer and curator, he has shown work in the biennials of Venice, Moscow, Istanbul, Santa Fe and Liverpool as well as in other places. His music has been performed at festivals such as Sonar, Ars Electronica and Stockholm Electronic Music Festival and has been released on LP, CD or DVD by labels such as Ash International, Errant Bodies, Laton and RasterNoton. He is the curator of FREQ_OUT which has been shown in Paris, Berlin, Copenhagen, Chiangmai, Oslo, Budapest and Kortrijk. He is a long time collaborator with Leif Elggren on the project "Elgaland-Vargaland".

Hashima | CM von Hausswolff & Thomas Nordanstad

2008-08-19T12:46:41Z

Hashima, Japan 2002 - the film by cmvh and Thomas Nordanstad is being installed at CCA Kitakyushu Project Gallery, Japan between July 28 and September 12 2008.

Current Activities & New Projects

2007-12-06T12:12:51Z

H2O, St. Petersburg | September 2008

cmvh is participating in the group show H2O in St Petersburg opening September 1 2008. His sound piece "Life In Prison By A Beautiful River Makes The Sky Dark" will be installed at the Peter and Paul Fortress curated by Anna Bitkina.
New CD Release

The brand new cmvh double CD called "Perhaps I Arrive - Music for Atatürk Airport, Istanbul" is released by aufabwegen in Cologne, Germany.

CD1 contains one 60 min piece rejected by the airport authorities and CD2 contains four tracks that was installed and played in the transit hall during the Istanbul Biennial 1997. Get it from: http://geraeuschwelten.de/catalog/ Published by Touch Music, London.
Teleport Färgfabriken at Färgfabriken Norr, Östersund, Sweden
cmvh is co-curating, with Färgfabriken director Jan Åman, the premier exhibition in a new space in Östersund, Sweden: Färgfabriken Norr. Show opens April 3 and celebrated guests include Carsten Höller, J.G. Thirlwell, Miriam Bäckström, Andreas Angelidakis, Carsten Nicolai, Dave Falconer/Russell Haswell, Manu Luksch, Tobias Rehberger, Leif Elggren, Jan Håfström, Anita Gordh, Armin Linke, Finnbogi Petursson, Jana Winderen, Jacob Kirkegaard, Miltos Manetas, Mathias Johansson, Mai Ueda, Michael Esposito, Nanna Hellberg, Nico Dockx, Nathalie Djurberg, Peter Geschwind and others - art works also included by: Selmer Nilsen, Rirkrit Tiravanija, Maurizio Cattelan, Erik Håfström, John Duncan, Cory Archangel, Ernst Billgren, Heavy Industries, Liz Cohen, Ola Pehrson, Emanuel Swedenborg, Marcel Duchamp, William S Burroughs and the Military Gang.
Elgaland-Vargaland Exhibition CMvH opens, with Leif Elggren, jan Håfström and Marja-Leena Silanpää, an Elgaland-Vargaland exhibition at Galleri Niklas Belenius, Stockholm to celebrate the annexation Isola di San Michele, Venice. Show opens February 16 2008. Tänd Mörkret CMvH will show the Phauss piece Alger-Lagos 1983, a DVD with sound and b/w stills, in the show Tänd Mörkret at Millesgården, Stockholm - show opens January 20. Visionaire CMvH is participating with a sound piece in the new issue of the New York based magazine Visionaire (#53 sound).

Curriculum Vitae

2007-11-06T15:48:33Z

Carl Michael von Hausswolff was born in 1956 in Linköping, Sweden. He lives and works in Stockholm. Since the end of the 1970s, Hausswolff has worked as a composer using the tape recorder as his main instrument and as a conceptual visual artist working with performance art, light- and sound installations and photography. ]]> Carl Michael von Hausswolff was born in 1956 in Linköping, Sweden. He lives and works in Stockholm. Since the end of the 1970s, Hausswolff has worked as a composer using the tape recorder as his main instrument and as a conceptual visual artist working with performance art, light- and sound installations and photography. His audio compositions from 1979 to 1992, constructed almost exclusively from basic material taken from earlier audiovisual installations and performance works, consists essentially of complex macromal drones with a surface of aesthetic elegance and beauty. In later works, Hausswolff has retained the aesthetic elegance and the drone and added a purely isolationistic sonic condition to composing. Between 1996 and 2008 Hausswolff has boiled away even more ornamental meat from the bones: his works are pure, intuitive studies of electricity, frequency functions and tonal autism within the framework of a conceptual stringent cryption. Lately he has also developed a more conceptual form of audio art overlooking subjects such as architecture and urbanism, rats and maggots. Collaborators include Graham Lewis, Jean-Louis Huhta, Pan sonic, Russell Haswell, Zbigniew Karkowski, Erik Pauser, The Hafler Trio and John Duncan. His music and sound art can be found on record labels such as Ash International, Laton, Oral, RasterNoton, Firework Edition, SubRosa and Die Stadt. His music is published by Touch Music, London. Hausswolff's music has been performed throughout Europe and in North America and Asia in festivals such as Sonar, Electrograph and I.D.E.A.L. In these concerts a very physical, almost brutal, side of Hausswolff’s aesthetics has blended with a droned and polyfrequential beauty. The audience very often fall into a form of trance, dosing away in their seats. Other times people experiencing the events has thanked him “for the massage” or has expressed a “feeling that the flesh came off the bones” due to the vibrations of the low frequencies used. Hausswolff's audiovisual works have also found outlets in pictorial art. His "Red" series using red lights in various architectural and geographical spaces has shown a rather critical side of his works. In Santa Fé an abandoned cemetery was lit up in the night time by 20 000 watts (Red Night, 1999); in Liverpool the river Mersey was treated (Red Mersey, 2004); in Luxembourg a huge building used for repairing trains was treated (Red Sky Saw, 2007); in Kaliningrad various cages and houses were lit up (Red Zoo, 2006)and in Chiangmai, Zagreb, Rijeka, Chicago abandoned houses around the cities was lighted up and photographed (Red Empty, 2003-2004). His interest in architecture and topography has also resulted in the films “Hashima, Japan 2002” and “Al Qasr, Bahriyah Oasis, Egypt, 2005” made in collaboration with Thomas Nordanstad. In 1997 he launched a series of works under the title "Operations of Spirit Communication". This work, inspired by Electronic Voice Phenomena (EVP) techniques, was combining and merging sound and vision using analogue and digital technologies such as oscilloscopes, radars and sonars. These ready-made machines were showing the possibilities of ghosts and other kinds of life forms living inside a certain space or inside the electricity grids. The cities of Paris, Linz, Bangkok, Shanghai, Banja Luka, Berlin, Kuala Lumpur, New York City, Tokyo, Frankfurt am Main, Stockholm and Copenhagen has been under this magnifying ghost glass. More recently the exhibition “The Complete Operations of Spirit Communication” was shown at OK Centrum in Linz, Austria. His interest in audio and radio technology also came in light at the 49th Biennale di Venezia in 2001. In a collaborative work with Tommi Grönlund, Petteri Nisunen, Leif Elggren and Anders Tomrén he had constructed a radio receiver that could play all radio transmissions from the Venice area at the same time. The entire Nordic Pavilion was filled with this mix of sounds producing a beautiful and at the same time profound religious audio graphic environment. Other radio tech works include the usage of scanners and EVP frequencies. Hausswolf has also created a series of social platforms, places where people can meet and consume. His “Thinner- and Low Frequency Bar” was used at the Momentum biennial in Moss, Norway, Prato, Italy and London and his “Glue- (Tobacco-) and High Frequency Lounge” was used in Geneva and in Prato. These works show Hausswolff’s critical view on the society’s hypocritical treatment of drugs and addiction. The audience could sniff the highly toxic substances thinner and contact glue while smoking cigarettes and getting penetrated by the either low or high sine wave tones. In 1993 he and Leif Elggren developed the ever-lasting conceptual piece 'The Kingdoms of Elgaland-Vargaland'. Here a new country was established in the world. Its territories was all border areas between every country, the No Man Land, mental territories such as the hypnagogue dream state and digital areas on the Internet. Paraphernalia such as a constitution including flags, coat of arms, and national hymn was produced and letters was sent to every government in the world asking for recognition. In 1995 an application for membership in the United Nations was sent in and in 2005 the New United Nations was proclaimed. Elgaland-Vargaland now has over 800 citizens and is frequently manifesting itself through the channels of conceptual art. Embassies has been established in Stockholm, Mexico City, Oujda, London, New York, San Francisco, Osaka, Barcelona, Helsinki and many other places. In 1995 the country annexed Schlaraffenland; at the 50th Biennale di Venezia in 2003 the state annexed Thomas More’s Utopia at the Utopia Station project and in 2007 the island of San Michele outside of Venice was annexed. Hausswolff was also a freelance curator at Färgfabriken Centre for Contemporary Art and Architecture in Stockholm. From 1999 until now he has curated retrospective exhibitions by the works of the EVP pioneer Friedrich Jürgenson, his long time colleague Leif Elggren, and Swedish electronic music pioneer Rune Lindblad. He also curated a special exhibition of works by his mentor Brion Gysin as well as works by Max Fredriksson, Henrik Rylander and Henrik Andersson. The works of Friedrich Jurgenson has also been showed in Berlin, New York City, Brussels, Goteborg, Frankfurt am Main and Karlsruhe and parallel to these shows adaptations of other potential artists such as Olga Eriksson, Martin Ekenberg, Selmer Nilsen and Jim Irwin have emerged. IN 2003-07 he curated the sound art project 'freq_out' in Copenhagen, Oslo, Paris, Berlin, Chiang Mai and Budapest. This project includes the individual works from 12 sound artists shown in a collective way. The frequency range from 15 – 12 000 Hz was divided up into 12 sections and handed out to the artists. These exhibitions has showed a new way to deal and treat sound works as an exhibitional form, a form that mostly has been chaotic and non functional in many recent group shows. Artists included were Jacob Kirkegaard, J.G. Thirlwell, Jana Winderen, Finnbogi Petursson, Pomassl, Mike Harding, Maia Urstad, BJ Nilsen, Tommi Gronlund&Petteri Nisunen, PerMagnus Lindborg, Kent Tankred and Brandon LaBelle. In 2003 Hausswolff curated, Against All Evens, the 2nd International Biennial for Contemporary Art in Göteborg, Sweden. Here he mixed sound artists like Ryoji Ikeda, Else Marie Pade and John Duncan with dictator painters from Libya and Cambodia; contemporary artists like Phill Niblock, Simone Kaern-Aaberg and Surasi Kusolwong with ready-made artists like Jürgenson and the inventor of the mail bomb Martin Ekenberg; painters like Jan Håfström with painters like Kim Gordon and Russell Haswell. In spring 2005 Hausswolff completed his Starhouse project for The Land Foundation, organised by Kamin Lertchaiprasert and Rirkrit Tiravanija in Chiangmai, Thailand.
Solo exhibitions 1981-2010
2010 Ghost Transmissions, Wilfried Lenz, Rotterdam (B) w Nico Dockx & Michael Esposito RED, Gallery Niklas Belenius, Stockholm (S) Mockridge Fountain, City of Melbourne (AUS) Three Films, Galeria Enrico Fornello, Milano (I) with T. Nordanstad 2009 Tromsö Kunstforening, Tromsö (NO) with G Jenssen Red-Red, Kaliningrad Regional Art Gallery (NCCA), Kaliningrad (RU) with Y Vassiliev Leonardi Kulturprojekte, Karben/Frankfurt (D) KREV Birdcage, Stockholm/Paris (S/F) Adoptations, Gallery Niklas Belenius, Stockholm (S) Aronsberg Jewish Cemetary, Stockholm (S) Lydmar Hotel, Stockholm (S) with T Nordanstad Enter: Sonic Tank, Tou Scene, Stavanger (N) 2008 Bolsjefabrikken/Zoo, Copenhagen (DK) KREV Galleri 64,Paris (F) KREV Monte San Martino (I) KREV Galleri Mors Mössa, Göteborg (S) KREV CCA, Kitakyushu (J) with Thomas Nordanstad Cabaret Voltaire/Bodensee (SCH) KREV Del Sol St Gallery, Santander (ES) KREV Gallery Niklas Belenius, Stockholm (S) KREV Modules Répondeur (F Jürgenson), Palais de Tokyo, Paris (F) 2007 Gallery 400, Chicago (USA) KREV Toteninsel, Venice (I) KREV Museo de la Ciudad, Santiago de Queretaro (MX) Wanås (S), with J. Håfström & J-P Fabra 2006 Museum for Modern and Contemporary Art, Rijeka, (Croatia) Färgfabriken, Stockholm (S) (with Anita Gordh) Diapason, New York City (USA) 2005 Beaconsfield, London (UK) 2004 OK Spektral, OK Centrum für Gegenwarte Kunst, Linz (A) Chiangmai Contemporary Art Museum, Chiangmai (Thai) Brändström & Stene, Stockholm (S) Portikus, Frankfurt am Main (D) 2003 Galerija Miroslav Kraljevic, Zagreb (Cro) NicolaFornello, Prato (I) with John Duncan 2002 Pierogi Gallery, New York (USA) with L. Elggren Vita boxen, Umeå 2001 CCA, Kitakyushu, (J) Andrehn-Schiptjenko, Stockholm (S) Eskilstuna Konstmuseum, Eskilstuna (S) (with L. Elggren) 2000 Artspace 1%, København (DK) (with Bigert & Bergström) 1999 Skuc Gallery, Ljubljana (SLO) (with P. Hagdahl, L. Elggren) 1998 Andrehn-Schiptjenko, Stockholm (S) Kiasma Museum for Contemporary Art, Helsinki (FIN), (with Tommi Grönlund/Petteri Nisunen) 1996 Bijster Gallery, Amsterdam (NL) with L. Elggren Bunker/Box 23, Kaliningrad (RUS) Unterm Durchschnitt, Hamburg (G) Thomas Nordanstad Gallery, New York (USA) with L. Elggren 1995 Kalmar Konstmuseum (S) with L. Elggren 1994 Alli Poli Gallery, Tessaloniki (G) with L. Elggren Internet: HYPERLINK "http://www.it.kth.se/KREV/" http://www.it.kth.se/KREV/ (2003: http://www.krev.org) Nordanstad Gallery, New York City with L. Elggren 1993 Galleri Mors Mössa, Göteborg (S) with L. Elggren Andrehn-Schiptjenko, Stockholm (S) with L. Elggren 1991 Galleri Mors Mössa, Göteborg (S) with E. Pauser 1990 Konsthall Alka, Linköping (S) with E Pauser and L Elggren 1989 Galleri Mors Mössa, Göteborg (S) with Erik Pauser 1986 A Journey Through The World part II (Zürich-Zürich 1986) with E Pauser 1984 Centrallagret, Stockholm (S) with U Hillebrand Galleri Mors Mössa, Göteborg (S) with E Pauser, T Liljenberg and L Elggren 1983 Hemlösa Brunn, Göteborg (S) Grand Hotel, Stockholm (S) with T Liljenberg, E Pauser and L Elggren A Jorney Through The World, part I (Alger-Lagos 1983) with E Pauser 1982 Lukasgalleriet/Gamla Vattentornet, Linköping (S) with T Liljenberg, E Pauser and L Elggren Galleri Mors Mössa, Göteborg (S) with E Pauser, T Liljenberg and L Elggren 1981 Skogshuggarens Dröm, Galleri DS, Göteborg (S) with E Pauser Mat för de Svältande, Galleri DS, Göteborg (S) with E Pauser
Group exhibitions 1984-2010
2010 Omskakad Spelplan, Göteborgs Konstmuseum (S) 27 Senses, Chisenhale Gallery, London (UK) The Morning Line, Thyssen-Bornemisza A21, Istanbul (TU) Die Perfekte Ausstellung, Heidelberger Kunstverein (D) Wach Sind Nur Die Geister, Center for Contemporary Art, Torun (PL) Interference, Moderna Museet, Stockholm (S) 2009 Red October, 3rd Moscow Biennial, Moscow (RU) I Love Malmö, Kumu Tallinn Art Museum, (E) Momentum, Moss (N) med J Håfström, J-P Fabra UTOPICS 11th Sculpture Biennal, Biel/Bienne, (CH) KREV See This Sound, Lentos Museum, Linz (A) Tänk På Döden, M.A.P., Stockholm (S) „WACH SIND NUR DIE GEISTER“, HMKV/Phoenix Halle,Dortmund (DE) Several Silences, Renaissance Society, Chicago (USA) Perspectives, Kulturhuset, Västerås (S) 27 Senses, Kube, Ålesund (N) Helsingborg•Malmö, Dunkers Kulturhus, Helsingborg (S) deja vu/Museo MAMbo, Bologna (I) with T Nordanstad 2008 Spectropia, Riga City Exhibition Hall, Riga (Lat) Ars Telefonica, Bucharest (RO) "Traces of Siamese Smile: Art + Faith + Politics + Love", Bangkok Art and Culture Centre,(Th) H2O, St Petersburg (RU) 6808, Färgfabriken (S) KREV Teleport Färgfabriken, Färgfabriken Norr, Östersund (S) Ghost In The Machine, Kunstnerernas Hus, Olso (N) Rainbow Audio Transformation, Extra City, Antwerp (B) 2007 Verbindingen/Jonctions 10, Brussels (KREV) Verbindingen/Jonctions 10, Brussels (with Dominique Goblet and Guy Marc Hinant) Min Husses Hund, Tegen2, Stocholm Tänd Mörkret, Göteborgs Konstmuseum (S) DADAEast, Färgfabriken (S) Trans(ient) City, Urban Landmarks, Luxembourg (LUX) National Pride, Arti et Amicitiae, Amsterdam (NL) slash/fiction, Gasworks, London (UK) Anachronism, Argos ˆ Centre for Art & Media, Brussels (B) Micronations, Palais de Tokyo, Paris (KREV) 2nd Moscow Biennial, Art Center Winzavod, Moscow (RU) Sound/Bytes, Edith Russ Haus, Oldenburg (D) Prophets of Deceit, Canzani center Gallery, Columbus, Ohio (US) Rock’n’Roll #1, Norrköping Art Museum, Norkköping (SE) 2006 Prophets of Deceit, CCA Wattis Inst. For Contemporary Arts, San Francisco (USA) Basel Art Fair, Brändström & Stene Around, Galleria Enrico Fornello, Prato (I) Strange Powers, Creativetime, New York City (USA) Tina B, Prague (CZ) Peace Tower, Whitney Biennial, New York City, (USA) Auflösung II (Rausch/en), NGBK, Berlin (D) ARS 06, Kiasma, Helsinki (FIN) 2005 Chronic Epoch, Beaconsfield,London (UK) APAP, Anyang, (KOR) 51st Biennale di Venezia (Theatre) (I) vom Verschwinden, Phoenix Hall, Dortmund (D) Resonances, ZKM; Karlsruhe (D) DMZ_2005, Jeong Han Sook House, Heyri, (KOR) SonarMatica, Sonar, Barcelona (ES) Det ofullbordade mästerverket (J: Håfström), Nationalmuseum (KREV), Stockholm (SE) Tracer, retracer / Tracking the traces (Jürgenson), Leonard & Bina Ellen Gallery, Montreal (CA) The Land Foundation (Starhouse), Chiangmai, (Thai) Utopia Station, Porto Allegre, (Brazil) Water Event, Astrup Fearnley, Oslo (N) with Yoko Ono 2004 Vid Liverts Källa, Forum Box, Helsinki (SF) with Elggren, Tomren, Grönlund, Nisunen Untrue Stories, History Museum, Tblisi (Gerogia) We Could Have Invited Everyone, Reg Vardy Gallery, Sunderland (UK) with L. Elggren Utopia Station, Haus Der Kunst, München (D) Drawn by Reality -- Encapsulated in Life, Wood Street Galleries, Pittsburgh (US) 3rd Liverpool Biennial, Tate Liverpool (UK) Phonorama, (Jürgenson), ZKM Karlsruhe (D) SonarMatica, Sonar, Barcelona (ES) First Internatrional Biennial for Artists Books, Alexandria Library (Egy) .ipeg bild ton maschine, Kunstlerhaus Bethanien, Berlin (D) Making Differences, Historiska Museet, Stockholm (S) 2003 Invisible Wealth, Färgfabriken, Stockholm (S) Modesty, Skuc Gallery, Ljubljana (SL) Undercover, Museet för Samtidskunst, Rosklide (DK) I Moderni, Museo d’Arte Contemporanea, Castello di Rivoli (I) Temporary Spaces, Charlottenborg, Copenhagen (DK) Fluxus Favourites, Moderna Museet, Stockholm (with B af Klintberg, Mats B. Bodil Blå, K Matousch) Somos Todos Pecadores, Museo de Arte Contemporanea, Monterey (MX) Beyond Paradise, Shanghai (CH) Utopia Station, 50th Biennale di Venezia (I) (with L. Elggren) 2002 Radar, Planetarium, Copenhagen (DK) I Promise it’s Political, Museum Ludwig, Cologne (D) Somos Todos Pecadores, Museo Rufino Tamayo, Mexico City (MX) Rouge Phosphene, Crac, Sète (F) Frequenzen (Hz), Schrin Kunstahalle; Frankfurt aM (D) Beyond Paradise, National Gallery, Bangkok (T) Beyond Paradise, Kuala Lumpur (Mal) Iconoclash, ZKM, Karlsruhe (D) The Visitors Konsthallen, Uddevalla (S) 2001 Bo01, Malmö, 2001 Dögnvill, Svolvaer (N) 49th Biennale di Venezia, Nordic Pavillion, Venezia (I) w/Elggren, Grönlund, Nisunen & Tomrén Mutations, Tokyo (JAP) Mutations, Bruxelles (B) Interferenze, Palazzo delle Papesse, Centro Arte Contemporanea, Siena (I) 2000 PICAF, Pusan (KOR) CRAC, Liljevalchs Konsthall, Stockholm (S) EV+A, Limerick (IR) Volume, P.S.1., New York (USA) Mutations, Arc En Reve, Bordeaux (F) Bring the Noise, Centre Genevois de Gravure Contemporaine, Geneva (CH) Audible Light, Museum of Modern Art, Oxford (GB) Organising Freedom, Moderna Museet, Stockholm (S) Organising Freedom, Charlottenborg, Copenhagen (D) Sonic Boom, Hayward Gallery, London (UK) Sound Art – Sound as Media, ICC, Tokyo (JAP) 1999 G A S, Göteborg (S) Art Crash, Aarhus, (D) Cities on the Move VI, Bangkok (T) 2nd International Biennial, Los Angeles (USA) The Young And The Old Ones, Väinö Altonen Museum, Åbo (FIN), (with Jan Håfström) 3rd International Biennial, SITE, Santa Fé (USA) Edstrandska stipendiet, Rooseum, Lund (S) Crossings, Galerie Rudolfinum, Prague (Czeck) Swedish Style/Deluxe, Tokyo (J) 1998 Stretch, Tensta Konsthall. Port, Rågsved, Stockholm (S) The Quickening, Banja Luka, (Bosnia/Hercegovina ) Avatar, Moderna Museet, Stockholm (S) Crossings, Kunsthalle Wien (A) Arkipelag, Stockholm (S) Nuit blanche, Musée d’art moderne de la Ville de Paris (F) Pakkhus, Momentum, Nordic Biennial of Contemporary Art, Moss (NOR) Medialisation, Edsvik, Stockholm (S), 1998 Medialisation, Museum oc Contemporary Art, Tallin (Est) 1997 2nd Johannesburg Biennale (SA) 5th Istanbul Biennial, Istanbul (TR) documenta X, Kassel (D) Smart Show, Färgfabriken/Baltic Sea, Stockholm (S) Nordica, Helsinki (F) The Conspiracy, Uppsala Art Museum (S) Auto Show, Kassel (D) Auto Show, Stockholm (S) Galleri Tusk, Copenhagen The Conspiracy, FOKA, Thessaloniki The Conspiracy, The Soap Factory, Athens Ear As Eye, LACE, Los Angeles Ear As Eye, Anomalous, Seattle 1996 How The Land Lies, Hales Gallery, London (UK) Manifesta 1, Witte de With, Rotterdam (NL) (constriction), Pierogi 2000, New York City (cat. only) (USA) Interpol, Färgfabriken, Stockholm (S) 1995 Headlands Center for the Arts, Califirnia (USA) 1994 In Och Sen Ut, Bohusläns Museum, Uddevalla (S) Expressen (daily newspaper project) 1993 Overground (World Expo), Göteborgs Konsthall (S) 1992 Be Connected, RIX, Linkoping 1984 VHS Kunststation, Kleinsassen (BRD)
Theatre
2007 Physical Interrogation Techniques, Kaaitheater, Bruxelles (B) Physical Interrogation Techniques, Tallinn (EST) 2005 Physical Interrogation Techniques, 52nd Biennial Venezia (I) Physical Interrogation Techniques, Bolzano (I)
Filmography
2007 Hashima, Japan 2001/Al Qasr, Bahriyah Oasis, Egypt 2005, DVD (with T. Nordanstad) (Errant Bodies, Copenhagen/Los Angeles) 1991 Phauss Alamut 1986, VHS (with E. Pauser) (Brandklipparen, Göteborg (S))
Publications
142 Reasons For Still Being Alive (CCA, Kitakyushu) 2002 Alamut (Firework Editions, Stockholm) 2004 Red Empty (Chicago 2003), (Whitewalls/Lampo, Chocago) 2005 RED (Gallery Niklas Belenius, Stockholm) 2010
Writing
Catalogue texts for Mika Vainio, John Duncan, Leif Elggren, Carsten Nicolai, Jan Håfström and Tommi Grönlund/Petteri Nisunen
Organizations and Curatorial Work
2008 freq_out 7, Happy New Ears, Kortrijk (BE) Teleport Färgfabriken, Färgfabriken Norr, Östersund (S) with Jan Åman Rainbow Audio Transformation, Extra City, Antwerp (B) with Nico Dockx 2007 freq_out 6, Dreamlands Burn, Mücsarnok Kunsthalle, Budapest (HU) freq_out 5 /Building Transmissions, The Land/CMU Contemporary Art Museum, Chiangmai (Thai) with Nico Dockx 2006 The Trans-Communication Lab (Radio Gallery), The Old Operating Theatre, London (UK) with Lina Dzuverovic (Electra) freq_out 4, Schlossplatz, Sonambiente, Berlin (D) 2005 freq_out 3, Nuit Blanche, Paris (F) with JG Thirlwell Tourist Class, Malmö Art Museum (S) with Lars O Ericsson 2004 freq_out 2.0, Ultima, Henie Onstad Center, Oslo (curator) with Jana Winderen God Made Me Do It, Making Differences, Historiska Museet (S) (curator/artist) 2003 2nd International Biennial for Contemporary Art, Gothenburg, Sweden (curator) freq_out 1.0, Disturbances (Sound As A Space Creator) Charlottenborg, Copenhagen, Denmark (curator) 2002 Rouge Phosphene, Sete, France (F) (co-curator) 1999-2008 Freelance curator at Färgfabriken, Stockholm Friedrich Jürgenson (also shown in parts in Göteborg, Frankfurt, Karlsruhe, Berlin (2 times), New York City, Bruxelles, Montreal) Max Fredrikson Leif Elggren (also shown in Linköping (S) and Göteborg (S)) Rune Lindblad (also shown in Göteborg (S) and Rosklide (DK)) Henrik Andersson/Henrik Rylander Brion Gysin (also shown in parts in Los Angeles) 1998 Lucia-a-go-go, Lydmar Hotel, Stockholm (co-curated with T. Nordanstad/A. Fioretos) 1998 Origin – record label 1997 CRAC (Creative Room for Art and Computing) – digital art studio established in Stockholm (S) 1996 CD compiler for SIKSI Art Review (#4 1996) Origin, co-founder - recordlabel Loveall, co-,curator, Färgfabriken, (S) 1995 Audiovision 1995, curator, 6-CD box 1994 New Reality Mix, co-curator, Stockholm (S) The Stockholm Electronic Music Festival XVI, program comittee 1993 Overground, Konsthallen, Göteborg (S) 1991- Elgaland-Vargaland, conceptual art project collaboration with Leif Elggren 1991- Anckartsröm - record label 1983-90 Radium 226.05 – record label, magazine and exhibitions 1980-82 DS Art Gallery, Gothenburg 1980-1995 Phauss – art and music project collaboration with Erik Pauser.
Discography
(full length DVD, CD, LP, 10" and 7") 2010 The Ghosts of Effingham, vax cylinder/download(Ash International/PARC, London) with Michael Esposito and Phantom Airwaves Robert Piotrowicz/Carl Michael von Hausswolff 12" (Bocian Records, Warsaw) Descending the Silver River of the DFX, 12" (Important, Boston) with Skull Defekts Graf Spee 12" (Presto, Milano) with J Håfström and J P Fabra 2009 National Anthem #6 (START!) 7" (Ash International, London) 2008 National Anthem #5 (Kampens Musikskoles Musikkorps) and Underwater Anthem 7" (Ash International, London) Perhaps I Arrive - Music for Istanbul International Airport (Aufabwegen, Cologne) Building Transmissions/freq_out 5, CD/book (curious/Zona, Antwerpen/Firenze 2007 National Anthem #3 and #4 (Klezmer/Kabukabu) 7" (Ash International, London) National Anthem #2 (Mariachi version) 7" (Ash International, London) Maggots/Maskar, CD (Laton, Wien) freq-out 3/freq-out 4, CD (cat. Dreamlands Burn (Mücsarnok, Budapest) 2006 Topophonic Models, CD (feld, Frankfurt am Main) The Wonderful World of Male Intuition, CD (ORAL, Montreal) Operation of Spirit Communication, 7” (Die Stadt, Bremen) Our Telluric Conversation, CD (23Five, San Francisco) with John Duncan Leech, CD (RasterNoton, Berlin/Chemniz) 2005 There Are No Crows Flying Around The Hancock Building, CD (Lampo, Chicago) Freq_out 2, CD (Ash International, London) 2004 Rats/Råttor, CD, (Laton, Wien) Three Overpopulated Cities Built By Short-sighted Planners, An Unbalanced and Quite Dangerous Airport and an Abandoned Church, CD (Sub Rosa, Brussels) 2003 freq_out, Ash International, London Stun Shelter (with J. Duncan), CD/Catalogue (NicolaFornello/Allquestions, Prato/Scrutto) Pan sonic Plays Kurenniemi, DVD (Kiasma, Helsinki) 2002 A Lecture on Disturbances in Architecture, CD (Firework Edition Records, Stockholm) 2001 Ström, CD (RasterNoton, Berlin/Chemnitz) Live at Generator 1989, Phauss, CD (Generator, New York) 2000 Operations Of Spirit Communication, LP (Die Stadt, Bremen) Opening Sweep, OCSID, CD (Ash International RIP, London) 1999 Basic, CD (Table of the Elements, Atlanta, USA) In Between, OCSID, CD (Origin, Stockholm) 1997 L'Esprit, 10" (Disques De Carotte, Bordeaux, France) To Make Things Happen In The Bunker Via The Micro Way, CD (Fire Inc., Reykjavik) Carl Michael von Hausswolff, LP (Ash International, London) 1996 Elgaland-Vargaland National Anthem #1, med L. Elggren, CD (Ash International, London) CM von Hausswolff Plays John Cage, 7" (Povertech, Sacramento) 1995 Rays of Beauty, CD (SubRosa, Brussels) 1994 GodTphauss, Phauss, CD (Silent Records, San Francisco) 1993 Resurrection, The Hafler Trio & The Sons of God , CD (Touch, London) 1992 PHAUSS/Karkowski/Bilting, CD (Silent Records, San Fransisco) 1991 Nya Sverige - Nothing But The Truth, Phauss, CD (Anckarström, Göteborg) 1987 Audiodrome, Phauss, LP (Radium 226.05 Records, Göteborg) 1986 Life & Death of Pboc, LP, (Radium 226.05 Records, Göteborg) 1984 The Gallery/Tower of Water, Phauss & Firework, 7" (Radium 226.05 Records, Göteborg) 1983 Conductor, LP, (Radium 226.05 Records, Göteborg) 1980 Bark & Is, LP (Sista Bussen, Göteborg)
Compilations
2009 The Plastic People, CD (Vibrö, Paris) 2008 Ars Telefonica, Book/CD (Bucharest) Acoustic Diagnostic, CD-R (NCCA, Kaliningrad) 2007 Visionaire 53 Sound, LP/CD (Visionaire, New York City) KKH1 Lock Grooves, 7” (Royal Academy of Fine Arts, Stockholm) 2006 2LP Städel (with Vainio) (Städelschule, Frankfurt am Main) 2005 Hexenschüss, LP (with JG Thirlwell) (Städelshule, Frankfurt am Main) Ghosttransmissions, CD (Cubitt-co-Curious, Antwerp) Untitled songs, CD (sirr, Lisboa) Yokomono 2, LP (Staalplaat, Berlin/Amsterdam) 2004 Record #1, LP (Städelshule, Frankfurt am Main) An anthology of noise and electronic music #3, CD (SubRosa, Brussells) .ipeg bild ton maschine, comp CD (Berlin) 2003 Research Center For The Definition Of Happiness, CDR (Absurd, Athens) Hausswolff/Duncan/Elggren, 7” (Die Stadt, Bremen) 60 Sound Artists Protest The War, compCD (atak, Tokyo) 2002 Avanto compCD (Avanto, Helsinki) Floating Foundation vol 2, compCD (SubRosa, Bruxelles) Prototypes, compCD (Laton, Vienna) Konstantin Raudive the Voices from the Dead (SubRosa, Bruxelles) The Void compCD (CCA, Kitakyushu) Frequensen (Hz), compCD (Schirn Kunstalle, Frankfurt) Because Tomorrow Comes #4, comp CD (BTC, Cologne) 2001 The North Is Protected, comp Catalogue/10” (Biennale di Venezia, Nordic Pavillion, Helsinki/Venezia) Paletten sound issue, with Leif Elggren, magazine/CD (Paletten, Göteborg) Sound Art, comp CD (Phono Suecia, Stockholm) RL, comp LP/CD (Färgfabriken/Firework Ed., Stockholm) Volume, compCD (PS1, New York) 2000 Comp 2x7” (Die Stadt, Bremen) Wire live, KREV, compCD (Wire, London) Mutations, compCD (Arc en Reve, Bordeaux) Sound Art – Sound As Media, comp Catalogue/CD (ICC, Tokyo) Audible Light, comp CD (MoMA , Oxford) 1999 Meme, compCD (meme, Tokyo) 1% Lydkunst, OCSID, comp magazine/CD (1%, Copenhagen) 1998 Make It Funky, KREV, compCD/book (Cologne) Crossings, comp Catalogue/CD (Cantz) 1997 Links Outta Here, comp.CD (Generator, New York City) o, comp.7" (Die Stadt, Bremen, Tyskland) Killing Me Softly With Noise, compCD (Noise, Taiwan) 1996 The Nordic Sound Review , The Hafler Trio, comp.CD (SIKSI, Helsinki) A Fault In The Nothing, comp.CD (Ash International, London) From Here To Tranquility, Phauss & PGR, comp.CD (Silent Records, San Francisco) 1995 Mesmervariations, comp.CD (Ash International, London) 1994 Anckarström Live, Phauss, comp.CD (Staalplaat, Amsterdam) 1993 Textures, Phauss, comp.CD (Limur, Göteborg) 50 Years of Sunshine, Phauss, comp.CD (Silent Records, San Francisco) Arcana Caelestia, Phauss, comp.CD (Multimood Records, Göteborg) 1991 Apo Mikhanis Music, Phauss, comp. LP (Ano Kato, Thessaloniki, Grekland) Testament, Phauss, comp.7" box (RRRecords, Lowell, USA) 1989 This Infernal Love Of Life, Phauss, compLP (TOPYScan, Stockholm) 1987 Dry Lungs III, with Z Karkowski, compLP (Placebo Records, Phoenix, USA) The Call of Madonna Luisa Ciccione, Phauss, comp.k7 (AIIP Wiesbaden, Västtyskland) 1984 Gothenburg 84, compLP, (Radium 226.05, Göteborg)
Film soundtracks
Life Extended, dir Lars Bergström/Mats Bigert, 60 min (with OCSID), 2008 The Last Supper, dir. Lars Bergström/Mats Bigert, 60 min (with OSCID), 2005
Concerts/Performances
2010 MUTEK, Montreal (CA) Jauna Muzika, Vilnius, (LIE) WORM, Rotterdam (NL) with Leif Elggren DNK, SMART, Amsterdam (NL) Watford House, Avoca (AUS) with different Melbourne composers Center for Contemporary Art, Torun (PL) 2009 Zone, Secession, Wien (A) Museum of Modern Art, Hiroshima (JP) Moving Closer, Warsaw, (PL) Contemporary Art Space, Gdansk, (PL) NoFun, Fylkingen, Stockholm (S) Sound Art Camp, Castle Insterburg, Tchernyakhovsk, (RU) with SB Sigmarsson and Vadim Chaly Phoenix Halle, Dortmund (D) Capitol, Stockholm (S) Cut & Splice 7, Wilton's Music Hall, London (UK) with John Duncan Ether 09, Queen Elisabeth Hall, London (UK) Arts Birthday, Berlin 2008 Experimental Intermedia , New York (US) eArts Festival, Shanghai (CH) Institute Culturel Suedoise, Paris (F) Muestra de Arte Sonora, Santander (ES) Happy New Ears, Kortrijk (B) freq_out Orchestra Raum, Bologna (I) Dr K, Uppsala Stadsteater, Uppsala (S) Stockholm New Music, Fylkingen, Stockholm (S) Drone People Sonic Acts XII, Paradiso, Amsterdam (NL) Drone People 2007 Dreamlands Burn, Mucsarnok Kunsthalle, Budapest (H) freq_out Orchestra Fylkingen (Six Aces), Stockholm (S) m Sten Hanson, Gustafsson, Feiler, Elggren Art 38 Basel, StädelLounge, Basel (CH) Cabaret Voltaire, Zürich (CH) Quinto Festival Internacional de Musica Experimental de Vallecas, Madrid (ES) Die Stadt, Argos, Brussels (B) Royal Academy of Fine Arts, Copenhagen (DK) 2006 Touch 25/The Bedford Arms, London (UK) Steirischer Herbst, Graz (A) with Mika Vainio 424 Russian submarine, NCCA, Kaliningrad (RU) Dissonanza, Rome (I) Cut & Splice 4, ICA, London (UK) Vainio/ Elggren/Bender/Hausswolff , Sala Rossa, Montreal, (CA) Diapason, New York City (US) Transcommunication Lab, Old Operating Theatre, London (UK) Lovebytes, Sheiffield (UK) Fluxus, Rönnells Antikvariat, Stockholm (SE) with af Klintberg, B., Tellvid and Elggren IDEAL, Göteborg (S) Ash International, Fylkingen, stockholm (SE) with Ocsid 2005 All Tomorrows Parties (Easy To Swallow), SE1, London (UK) Lampo, Chicago (US) Fly Me To Another World symposium, Chiang Mai, (Thai) I.D.E.A.L., Nantes (F) KREV: cmvh, Elggren, Lewis, Duncan Prisma, Norrköping (SE) Arts Birthday, Konstfack, Stockholm (S) Electrograph, Athens (G) 2004 Forum Box, Helsinki (SF) with Leif Elggren Sonic acts X, Paradiso, Amsterdam (NL) Skanu mezs/Klangwald, Riga (LAT) Oslo Jazz Festival (N) with Haswell, Gilbert, Gmaichl, Aphex Twin Garage, Stralsund (D) Sonar, Barcelona (ES) “kaoss v. kaoss”, Podewil, Berlin (D) with Bruce Gilbert and Graham Lewis Merz musik/Berlin Biennial; Berlin (D) Pan sonic/Kurenniemi .ipeg bild ton maschine, Kunstlerhaus Bethanien, Berlin (D) ZKM; Karlsruhe (D) Pan sonic/Kurenniemi 2003 Observatori, Valencia (ES) Biennale di Venezia, Venice (I) Pan sonic/Kurenniemi IWTBF, Kulturhuset, Stockholm (S) Violet Music, Podewil, Berlin (D) 2002 Avanto, Kiasma, Helsinki (SF) Pan sonic/Kurenniemi Avanto, Kiasma Helsinki (SF) Rouge Phosphene, Sete (F) Le Placard #5, Paris/Tokyo (F/JP) CRAC, Sete (F) 2001 6ODUM, Lampo, Chicago (US) 2000 Stardust, Stockholm (S) Nalen/SEKT, Stockholm (S) Ocsid ICC, Tokyo (JP) Haight Gallery, Tokyo (JP) with Furudate, Nicolai, Charles et al 1999 “club” München (Ocsid) “museum” München (Ocsid) Beyond Baroque, Los Angeles (US) Hausswolff/Elggren/Svensson Beyond Baroque, Los Angeles (US) Jazzhuset, Aarhus (DK) Ocsid Swedish Style/Deluxe, Tokyo (JP) 1998 Flex, Vienna (A) Ocsid Nursery Injection, Motorship Stubniz, Stockholm (S/KREV) MGM Fylkingen, Stockholm, (S) MGM K, Stockholm (S) Ocsid Rangustangus, Stockholm (S) Ocsid 1997 Lagerhaus, Bremen (D) Organum documenta X, Kassel (D) with Ditterich von Euler-Donnersperg documenta X. Kassel (D) with Carsten Nicolai, Mika Vainio and Frank Breitschneider Tonsättarporträtt, Fylkingen, Stockholm (S) Lagerhaus, Bremen (D) 1996 Disobey, London (UK) KREV Loveall, Fargfabriken, Stockholm (S) Ocsid (ut)härda, Stockholm Culture House (S) Ocsid IT-dygnet, Linkoping Concert Hall (S) Ocsid 1995 Kalmar Art Museum, Kalmar (S) Ocsid Art Hotel, Hotel Lydmar, Stockholm (S) Ocsid 1994 Rote Flora, Hamburg (D) The Hafler Trio U4, Vienna (A) The Hafler Trio 200 Yen, Nurnberg (D) The Hafler Trio Radox FX, Prague (CZ) The Hafler Trio Mokka, Thun (CH) The Hafler Trio The Vox/Quirky, London (UK) The Hafler Trio Blue Room/Sonora, Edinburgh (UK) The Hafler Trio Bijster Galleri, Amsterdam (NL) The Hafler Trio Restaurant WC, Stockholm (S) KREV Lucky People Center, Sergels Torg, Stockholm (S) KREV 1993 Unga Atalante, Goteborg (S) Phauss/Guds Söner Pumpehuset, Copenhagen (DK) Phauss/Guds Söner Lysverket, Oslo (N) Phauss/Guds Söner Fylkingen, Stockholm (S) Phauss/Guds Söner Nya Konsthallen, Gavle, (S) Phauss/Guds Söner Galleri Brage (annex), Umea, (S) Phauss/Guds Söner ScanCon, EAM-festival, Skinnskatteberg, (S) Phauss Hafler Trio 1992 Stockholm Electronic Music Festival, Stockholm (S) 1991 Fylkingen, Stockholm (S) Guds Söner Zaal 100, Amsterdam (NL) Phauss Willemeen, Arnhem (NL) Phauss EAM Festival, Skinnskatteberg (S) Phauss Lysverket, Oslo (N) Phauss Stockholm Electronic Music Festival, Stockholm (S) Phauss Klangspel, Gävle (S) Phauss Ausurstraeti, Reykjavik (IS) Phauss Hafler Trio Hekla (IS) Phauss Hafler Trio Nylistasafnid (annex), Reykjavik (IS) Phauss Hafler Trio Lucky People Center, Göteborg (S) Phauss 1990 Kingston Gallery, Boston (US) Phauss CBGBs, New York City (US) Phauss Agora, Cleveland (US) Phauss Carnegie Mellon Institute, Pittsburgh (US) Phauss Lower Links, Chicago (US) Phauss Planet Earth, Knoxville (US) Phauss Club Dada, Dallas (US) Phauss Commerce Street Artists Warehouse, Houston (US) Phauss MexicArte Museum, Austin (US) Phauss Gallery X, Phoenix (US) Phauss Union Mutialista Hall, Los Angeles (US) Phauss Kennel Club, San Francisco (US) Phauss Kaleidoscope, San Francisco (US) Phauss Melody Lane, Portland (US) Phauss Incubator, Seattle (US) Phauss 1989 Lido, Stockholm (S) Phauss Poetry Art Festival/Kåren, Göteborg (S) Phauss Generator Experimental Gallery, New York City (US) Phauss Multimedia Festival, Sandviken (S) Phauss 1988 Trashmusic III, Fylkingen (S) Phauss 1987 Skattkammaren, Kungliga Slottet (S) med Leif Elggren EAM Festival, Skinnskatteberg (S) Phauss Monitor 87, Radium 226.05/Frölunda Kulturhus, Göteborg (S) Phauss 1984 USF Teatertreff, Bergen (N) Phauss Ny Scen, Göteborg (S) Phauss Industrimusik festival, DNA fabrik, Göteborg (S) Phauss 1983 Sprängkullen, Göteborg (S) Phauss 1982 Open House, Linz (A) Phauss Ny Scen, Göteborg (S) DS Art Ensemble 1981 Konceptuell och Visuell Musik, Fylkingen, Stockholm (S) 20 Live Projects, Riddarhuset, Stockholm (S) Vavd, Vavd (S) Vavd Vavd/Trans/Aktion, Fylkingen, Stockholm (S) Magasinsgatan 13, Göteborg (S) Vavd 1980 Renströmska Museet, Göteborg (S) Mejan, Stockholm (S) Vavd 1980 Skandinaviska Enskilda Banken, Göteborg (S) Göteborgs Konsthall, Göteborg (S) Litteraturvetenskapliga Institutionen, Göteborg (S) DS Art Ensemble Last Aeroplane II, Göteborg (S) Antikärnkraft gala, Mölndals (S) DS Art Ensemble 1978 Cabaret Pärlsvinet, Arbis, Linköping (S)
Film screenings
2009 Architecture Film Festival, Rotterdam (NL) (Hashima) Chasing Napoleon, Palais de Tokyo; Paris (Hashima, Al Qasr, Electra) Zita, Stockholm (Electra) Arte Contempo, Lisboa (Hashima, Al Qasr, Electra) 2006 Happy New Ears, Kortrijk (B), (Hashima) 2008 Filmforum, Museum Ludwig, Köln (Al Qasr) 2004 Palais de Tokyo, Paris (Hashima)
Sound design
2000 Hotel ProForma, Jesus_c._Odd_Size, Malmö (S) 1997 Istanbul International Airport, Transit hall (TUR)

Audio

2007-10-06T14:02:22Z

Discography (full length DVD, CD, LP, 10" and 7") 2008 Eating a piranha wouldn't be so bad the way things are these days, 7" (Autofact, Portland) 2007 National Anthem #3 and #4 (Klezmer/Kabukabu) 7" (Ash International, London) National Anthem #2 (Mariachi version) 7" (Ash International, London) Maggots/Maskar, CD (Laton, Wien) freq_out 3/freq_out 4, CD (cat. Dreamlands Burn (Mücsarnok, Budapest) 2006 Topophonic Models, CD (feld, Frankfurt am Main) The Wonderful World of Male Intuition, CD (ORAL, Montreal) Leech, CD (RasterNoton, Berlin/Chemniz) 2005 There Are No Crows Flying Around The Hancock Building, CD (Lampo, Chicago) freq_out 2, CD (Ash International, London) 2004 Rats/Råttor, CD, (Laton, Wien) Three Overpopulated Cities Built By Short-sighted Planners, An Unbalanced and Quite Dangerous Airport and an Abandoned Church, CD (Sub Rosa, Brussels) 2003 freq_out, CD (Ash International, London) Stun Shelter (with J. Duncan), CD/Catalogue (NicolaFornello/Allquestions, Prato/Scrutto) Pan Sonic Plays Kurenniemi, DVD (Kiasma, Helsinki) 2002 A Lecture on Disturbances in Architecture, CD (Firework Edition Records, Stockholm) 2001 Ström, CD (RasterNoton, Berlin/Chemnitz) Live at Generator 1989, Phauss, CD (Generator, New York) 2000 Operations Of Spirit Communication, LP (Die Stadt, Bremen) Opening Sweep, OCSID, CD (Ash International RIP, London) 1999 Basic, CD (Table of the Elements, Atlanta) In Between, OCSID, CD (Origin, Stockholm) 1997 L'Esprit, 10" (Disques De Carotte, Bordeaux, France) To Make Things Happen In The Bunker Via The Micro Way, CD (Fire Inc., Reykjavik) As Quiet As A Campfire Or Analogue Motoric And Electro-Magnetic Silence Disturbed By Intuitive Slumber C/W Mingling Or Dodekaphonic Drones Interfered By Known And Unknown Digital Phenomena, LP (Ash International, London) 1996 Elgaland-Vargaland National Anthem #1, med L. Elggren, CD (Ash International, London) CM von Hausswolff Plays John Cage, 7" (Povertech, Sacramento) 1995 Rays of Beauty, CD (SubRosa, Brussels) 1994 GodTphauss, Phauss, CD (Silent Records, San Francisco) 1993 Resurrection, The Hafler Trio & The Sons of God , CD (Touch, London) 1992 PHAUSS/Karkowski/Bilting, CD (Silent Records, San Fransisco) 1991 Nya Sverige - Nothing But The Truth, Phauss, CD (Anckarström, Göteborg) 1987 Audiodrome, Phauss, LP (Radium 226.05 Records, Göteborg) 1986 Life & Death of Pboc, LP, (Radium 226.05 Records, Göteborg) 1984 The Gallery/Tower of Water, Phauss & Firework, 7" (Radium 226.05 Records, Göteborg) 1983 Conductor, LP, (Radium 226.05 Records, Göteborg) 1980 Bark & Is, LP (Sista Bussen, Göteborg) Compilations 2007 Visionaire 53 Sound, LP/CD (Visionaire, New York City) KKH1 Lock Grooves, 7" (Royal Academy of Fine Arts, Stockholm) 2006 2LP Städel (with Vainio) (Städelschule, Frankfurt am Main) 2005 Hexenschüss, LP (with JG Thirlwell) (Städelshule, Frankfurt am Main) Ghosttransmissions, CD (Cubitt-co-Curious, Antwerp) Untitled songs, CD (sirr, Lisboa) Yokomono 2, LP (Staalplaat, Berlin/Amsterdam) 2004 Record #1, LP (Städelshule, Frankfurt am Main) An anthology of noise and electronic music #3, CD (SubRosa, Brussells) .ipeg bild ton maschine, comp CD (Berlin) 2003 Research Center For The Definition Of Happiness, CDR (Absurd, Athens) Hausswolff/Duncan/Elggren, 7" (Die Stadt, Bremen) 60 Sound Artists Protest The War, compCD (atak, Tokyo) 2002 Avanto compCD (Avanto, Helsinki) Floating Foundation vol 2, compCD (SubRosa, Bruxelles) Prototypes, comp. CD (Laton, Vienna) Konstantin Raudive the Voices from the Dead (SubRosa, Bruxelles) The Void compCD (CCA, Kitakyushu) Frequensen (Hz), compCD (Schirn Kunstalle, Frankfurt) Because Tomorrow Comes #4, comp CD (BTC, Cologne) 2001 The North Is Protected, comp Catalogue/10" (Biennale di Venezia, Nordic Pavillion, Helsinki/Venezia) Paletten sound issue, with Leif Elggren, magazine/CD (Paletten, Göteborg) Sound Art, comp CD (Phono Suecia, Stockholm) RL, comp LP/CD (Färgfabriken/Firework Ed., Stockholm) Volume, compCD (PS1, New York) 2000 Comp 2x7" (Die Stadt, Bremen) Wire live, KREV, comp. CD (Wire, London) Mutations, comp. CD (Arc en Reve, Bordeaux) Sound Art – Sound As Media, comp. Catalogue/CD (ICC, Tokyo) Audible Light, comp. CD (MoMA , Oxford) 1999 Meme, comp. CD (meme, Tokyo) 1% Lydkunst, OCSID, comp. magazine/CD (1%, Copenhagen) 1998 Make It Funky, KREV, comp. CD/book (Cologne) Crossings, comp. Catalogue/CD (Cantz) 1997 Links Outta Here, comp. CD (Generator, New York City) o, comp.7" (Die Stadt, Bremen, Tyskland) Killing Me Softly With Noise, comp. CD (Noise, Taiwan) 1996 The Nordic Sound Review , The Hafler Trio, comp. CD (SIKSI, Helsinki) A Fault In The Nothing, comp. CD (Ash International, London) From Here To Tranquility, Phauss & PGR, comp. CD (Silent Records, San Francisco) 1995 Mesmervariations, comp. CD (Ash International, London) 1994 Anckarström Live, Phauss, comp. CD (Staalplaat, Amsterdam) 1993 Textures, Phauss, comp. CD (Limur, Göteborg) 50 Years of Sunshine, Phauss, comp. CD (Silent Records, San Francisco) Arcana Caelestia, Phauss, comp. CD (Multimood Records, Göteborg) 1991 Apo Mikhanis Music, Phauss, comp. LP (Ano Kato, Thessaloniki) Testament, Phauss, comp. 7" box (RRRecords, Lowell) 1989 This Infernal Love Of Life, Phauss, comp. LP (TOPYScan, Stockholm) 1987 Dry Lungs III, with Z Karkowski, comp. LP (Placebo Records, Phoenix, USA) The Call of Madonna Luisa Ciccione, Phauss, comp. k7 (AIIP Wiesbaden, Västtyskland) 1984 Gothenburg 84, comp. LP, (Radium 226.05, Göteborg) Film soundtracks The Last Supper, dir. Lars Bergström/Mats Bigert, 60 min (with OSCID), 2005